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2. The influence of Brueghel's print The Alchemist. Brinkman AA Janus; 1967; 54(1-2):141-5. PubMed ID: 11615539 [No Abstract] [Full Text] [Related]
3. "I am the poison dripping dragon": iguanas and their symbolism in the alchemical and occult paintings of David Teniers the Younger. Davidson JP Ambix; 1987; 34(pt 2):62-80. PubMed ID: 11612174 [No Abstract] [Full Text] [Related]
4. [Not Available]. Biegger K Nova Acta Paracelsica; 1993; 7():93-106. PubMed ID: 11638530 [No Abstract] [Full Text] [Related]
9. [Not Available]. Felix A Rev Belge Philol Hist; 1986; 64():234-55. PubMed ID: 11635641 [No Abstract] [Full Text] [Related]
10. Some comments on the contemporary Helmontian renaissance [Essay review]. Debus AG Ambix; 1972 Jul; 19():145-50. PubMed ID: 11609477 [No Abstract] [Full Text] [Related]
11. Catologue des manuscrits alchimiques. Acad R Belg. Verbeke G Bull Cl Lett Sci Morales Polit; 1970; 56():420-3. PubMed ID: 11614294 [No Abstract] [Full Text] [Related]
12. Thomas Sherley's philosophical essay (1672): Helmontian mechanism as the basis of a new philosophy. Debus AG Ambix; 1980 Jul; 27(2):124-35. PubMed ID: 11615823 [No Abstract] [Full Text] [Related]