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7. All's well that ends well and the Galenico-Paracelsian controversy. Stensgaad RK Renaiss Q; 1972; 25():173-88. PubMed ID: 11615520 [No Abstract] [Full Text] [Related]
8. Agricola, Paracelsus, and "chymia.". Rocke AJ Ambix; 1985 Mar; 32(1):38-45. PubMed ID: 11621855 [No Abstract] [Full Text] [Related]
11. Myth, allegory, and scientific truth: an alchemical tradition in the period of the scientific revolution. Debus AG Nouv Repub Lett; 1987; (1):l3-35. PubMed ID: 11617830 [No Abstract] [Full Text] [Related]
12. What forced by fire: concerning some influences of chemical thought and practice upon English poetry. Ward R Ambix; 1976 Jul; 23(2):80-95. PubMed ID: 11609955 [No Abstract] [Full Text] [Related]
13. The theater of cruelty and alchemy: Artaud and le grand oeuvre. Demaitre A J Hist Ideas; 1972; 33(2):237-50. PubMed ID: 11615515 [No Abstract] [Full Text] [Related]
14. Alchemical imagery in John Donne's "A nocturnall upon S. Lucies Day". Hayes TW Ambix; 1977 Mar; 24(1):55-62. PubMed ID: 11615617 [No Abstract] [Full Text] [Related]
15. Goethe und die Chemie. Kuhn D Medizinhist J; 1972; 7(4):264-78. PubMed ID: 11610036 [No Abstract] [Full Text] [Related]
16. The plague of the alchemist. Ross CL Renaiss Q; 1988; 41(3):439-58. PubMed ID: 11621733 [No Abstract] [Full Text] [Related]
17. Relations between alchemy and poetics in the Renaissance and seventeenth century, with special glances at Donne and Milton. Sadler LV Ambix; 1977 Jul; 24(2):69-76. PubMed ID: 11615610 [No Abstract] [Full Text] [Related]