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5. Assessing the possible role of frequency-shift detectors in the ability to hear out partials in complex tones. Moore BC; Kenyon O; Glasberg BR; Demany L Adv Exp Med Biol; 2013; 787():127-35. PubMed ID: 23716217 [TBL] [Abstract][Full Text] [Related]
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7. On the role of spatial and temporal cues in the perception of the pitch of complex tones. Ohgushi K J Acoust Soc Am; 1978 Sep; 64(3):764-71. PubMed ID: 701615 [TBL] [Abstract][Full Text] [Related]
8. Musical imagery: generation of tones and chords. Hubbard TL; Stoeckig K J Exp Psychol Learn Mem Cogn; 1988 Oct; 14(4):656-67. PubMed ID: 2972802 [TBL] [Abstract][Full Text] [Related]
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10. Pitch motion with random chord sequences. Allik J; Dzhafarov EN; Houtsma AJ; Ross J; Versfeld NJ Percept Psychophys; 1989 Dec; 46(6):513-27. PubMed ID: 2587180 [TBL] [Abstract][Full Text] [Related]
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12. Interference in memory for tonal pitch: implications for a working-memory model. Pechmann T; Mohr G Mem Cognit; 1992 May; 20(3):314-20. PubMed ID: 1508056 [TBL] [Abstract][Full Text] [Related]
13. Auditory temporal processing: two-tone flutter fusion and a model of temporal integration. Robin DA; Royer FL J Acoust Soc Am; 1987 Oct; 82(4):1207-17. PubMed ID: 3680778 [TBL] [Abstract][Full Text] [Related]
14. The role of auditory memory traces in attention to frequency. Green T; McKeown D Percept Psychophys; 2007 Aug; 69(6):942-51. PubMed ID: 18018975 [TBL] [Abstract][Full Text] [Related]
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