BIOMARKERS

Molecular Biopsy of Human Tumors

- a resource for Precision Medicine *

264 related articles for article (PubMed ID: 15953779)

  • 1. The musician and the creative process.
    Hagman G
    J Am Acad Psychoanal Dyn Psychiatry; 2005; 33(1):97-117. PubMed ID: 15953779
    [TBL] [Abstract][Full Text] [Related]  

  • 2. [Treatment and personality development with art therapy. A description of the method].
    Antalfai M
    Psychiatr Hung; 2007; 22(4):276-99. PubMed ID: 18167423
    [TBL] [Abstract][Full Text] [Related]  

  • 3. [Contributions to the psychodynamic approach to understanding the phenomenon of music].
    Giglio JS; Giglio ZG
    Acta Psiquiatr Psicol Am Lat; 1980 Dec; 26(4):293-9. PubMed ID: 6182757
    [TBL] [Abstract][Full Text] [Related]  

  • 4. Art and self: a new psychoanalytic perspective on creativity and aesthetic experience.
    Hagman G
    Ann N Y Acad Sci; 2009 Apr; 1159():164-73. PubMed ID: 19379239
    [TBL] [Abstract][Full Text] [Related]  

  • 5. Psychoanalysis as a creative shaping process.
    Holm-Hadulla RM
    Int J Psychoanal; 2003 Oct; 84(Pt 5):1203-20. PubMed ID: 14633426
    [TBL] [Abstract][Full Text] [Related]  

  • 6. Time, music, and reverie.
    Lombardi R
    J Am Psychoanal Assoc; 2008 Dec; 56(4):1191-211. PubMed ID: 19037120
    [TBL] [Abstract][Full Text] [Related]  

  • 7. The aging musician.
    Barton R
    Work; 2004; 22(2):131-8. PubMed ID: 15004348
    [TBL] [Abstract][Full Text] [Related]  

  • 8. On hearing and inspiration in the composition of music.
    Nass ML
    Psychoanal Q; 1975 Jul; 44(3):431-49. PubMed ID: 1161947
    [TBL] [Abstract][Full Text] [Related]  

  • 9. Disruption, dissonance and embodiment: creativity, health and risk in music narratives.
    Daykin N
    Health (London); 2005 Jan; 9(1):67-87. PubMed ID: 15576425
    [TBL] [Abstract][Full Text] [Related]  

  • 10. Creative Processes in the Shaping of a Musical Interpretation: A Study of Nine Professional Musicians.
    Héroux I
    Front Psychol; 2018; 9():665. PubMed ID: 29867643
    [TBL] [Abstract][Full Text] [Related]  

  • 11. Notes on emotional components of musical creativity and performance.
    Lund NL; Kranz PL
    J Psychol; 1994 Nov; 128(6):635-40. PubMed ID: 7815377
    [TBL] [Abstract][Full Text] [Related]  

  • 12. Music medicine. A neurobiological approach.
    Hassler M
    Neuro Endocrinol Lett; 2000; 21(2):101-106. PubMed ID: 11455337
    [TBL] [Abstract][Full Text] [Related]  

  • 13. The unconscious and the creative process.
    Horner AJ
    J Am Acad Psychoanal Dyn Psychiatry; 2006; 34(3):461-9. PubMed ID: 17014343
    [TBL] [Abstract][Full Text] [Related]  

  • 14. Jazz and substance abuse: road to creative genius or pathway to premature death.
    Tolson GH; Cuyjet MJ
    Int J Law Psychiatry; 2007; 30(6):530-8. PubMed ID: 17964650
    [TBL] [Abstract][Full Text] [Related]  

  • 15. The creative process and the narcissistic personality disorder.
    Rubenstein B; Levitt M
    Int J Psychoanal Psychother; 1980-1981; 8():461-82. PubMed ID: 7429723
    [TBL] [Abstract][Full Text] [Related]  

  • 16. Form creation in rat: an ego-psychological approach to creativity.
    Noy P
    Psychoanal Q; 1979; 48(2):229-56. PubMed ID: 441211
    [TBL] [Abstract][Full Text] [Related]  

  • 17. Aspects of the creative process in music: a case report.
    Wittenberg R
    J Am Psychoanal Assoc; 1980; 28(2):439-59. PubMed ID: 7381175
    [TBL] [Abstract][Full Text] [Related]  

  • 18. The creative moment: improvising in jazz and psychotherapy.
    Phillips RE
    Adolesc Psychiatry; 1988; 15():182-93. PubMed ID: 3239631
    [No Abstract]   [Full Text] [Related]  

  • 19. Self psychology and the modern dance choreographer.
    Press CM
    Ann N Y Acad Sci; 2009 Apr; 1159():218-28. PubMed ID: 19379243
    [TBL] [Abstract][Full Text] [Related]  

  • 20. Music in dreams.
    Uga V; Lemut MC; Zampi C; Zilli I; Salzarulo P
    Conscious Cogn; 2006 Jun; 15(2):351-7. PubMed ID: 16243543
    [TBL] [Abstract][Full Text] [Related]  

    [Next]    [New Search]
    of 14.