494 related articles for article (PubMed ID: 16051464)
1. Development of an auditory-perceptual rating instrument for the operatic singing voice.
Oates JM; Bain B; Davis P; Chapman J; Kenny D
J Voice; 2006 Mar; 20(1):71-81. PubMed ID: 16051464
[TBL] [Abstract][Full Text] [Related]
2. Acoustic and perceptual appraisal of vocal gestures in the female classical voice.
Kenny DT; Mitchell HF
J Voice; 2006 Mar; 20(1):55-70. PubMed ID: 15925482
[TBL] [Abstract][Full Text] [Related]
3. The relationship between measured vibrato characteristics and perception in Western operatic singing.
Howes P; Callaghan J; Davis P; Kenny D; Thorpe W
J Voice; 2004 Jun; 18(2):216-30. PubMed ID: 15193655
[TBL] [Abstract][Full Text] [Related]
4. Evaluation of support in singing.
Sonninen A; Laukkanen AM; Karma K; Hurme P
J Voice; 2005 Jun; 19(2):223-37. PubMed ID: 15907437
[TBL] [Abstract][Full Text] [Related]
5. Effects of melody and technique on acoustical and musical features of western operatic singing voices.
Larrouy-Maestri P; Magis D; Morsomme D
J Voice; 2014 May; 28(3):332-40. PubMed ID: 24495421
[TBL] [Abstract][Full Text] [Related]
6. Does Vocal Fatigue Negatively Affect Low Vocal Range in Professional, Female Opera Singers? A Survey Study and Single-Subject Pilot Study.
Treinkman M; Johns MM
J Voice; 2024 May; 38(3):688-696. PubMed ID: 35045947
[TBL] [Abstract][Full Text] [Related]
7. The singer's voice range profile: female professional opera soloists.
Lamarche A; Ternström S; Pabon P
J Voice; 2010 Jul; 24(4):410-26. PubMed ID: 19837561
[TBL] [Abstract][Full Text] [Related]
8. The effect of melody and technique on the singing voice accuracy of trained singers.
Larrouy-Maestri P; Magis D; Morsomme D
Logoped Phoniatr Vocol; 2014 Oct; 39(3):126-9. PubMed ID: 23570497
[TBL] [Abstract][Full Text] [Related]
9. Automatic Assessment of Acoustic Parameters of the Singing Voice: Application to Professional Western Operatic and Jazz Singers.
Manfredi C; Barbagallo D; Baracca G; Orlandi S; Bandini A; Dejonckere PH
J Voice; 2015 Jul; 29(4):517.e1-9. PubMed ID: 25795355
[TBL] [Abstract][Full Text] [Related]
10. Effects of HearFones on speaking and singing voice quality.
Laukkanen AM; Mickelson NP; Laitala M; Syrjä T; Salo A; Sihvo M
J Voice; 2004 Dec; 18(4):475-87. PubMed ID: 15567049
[TBL] [Abstract][Full Text] [Related]
11. [Oropharyngeal vocal tract space during singing--comparison of tactile-kinesthetic and auditory perception with objective endoscopic findings].
Schade G; Adelmann W; Müller F; Mantay C; Fleischer S; Leuwer R; Bubenheim M; Berger J; Hess M
Laryngorhinootologie; 2003 Aug; 82(8):541-51. PubMed ID: 12915984
[TBL] [Abstract][Full Text] [Related]
12. The characterization of the vibrato in lyric and sertanejo singing styles: acoustic and perceptual auditory aspects.
de Almeida Bezerra A; Cukier-Blaj S; Duprat A; Camargo Z; Granato L
J Voice; 2009 Nov; 23(6):666-70. PubMed ID: 19022619
[TBL] [Abstract][Full Text] [Related]
13. [Vocal effectiveness in speech and singing: acoustical, physiological and perceptive aspects. applications in speech therapy].
Pillot C; Vaissière J
Rev Laryngol Otol Rhinol (Bord); 2006; 127(5):293-8. PubMed ID: 17425003
[TBL] [Abstract][Full Text] [Related]
14. Effects of topical anesthetic and flexible fiberoptic laryngoscopy on professional sopranos.
Jacobs MA; Kenny DT
J Voice; 2005 Dec; 19(4):645-64. PubMed ID: 16301108
[TBL] [Abstract][Full Text] [Related]
15. The singing power ratio as an objective measure of singing voice quality in untrained talented and nontalented singers.
Watts C; Barnes-Burroughs K; Estis J; Blanton D
J Voice; 2006 Mar; 20(1):82-8. PubMed ID: 15922560
[TBL] [Abstract][Full Text] [Related]
16. Singers' and Nonsingers' Perception of Vocal Vibrato.
Reddy AA; Subramanian U
J Voice; 2015 Sep; 29(5):603-10. PubMed ID: 25795372
[TBL] [Abstract][Full Text] [Related]
17. Objective analysis of the singing voice as a training aid.
Sangiorgi T; Manfredi C; Bruscaglioni P
Logoped Phoniatr Vocol; 2005; 30(3-4):136-46. PubMed ID: 16287654
[TBL] [Abstract][Full Text] [Related]
18. Auditory-perceptual evaluation of disordered voice quality: pros, cons and future directions.
Oates J
Folia Phoniatr Logop; 2009; 61(1):49-56. PubMed ID: 19204393
[TBL] [Abstract][Full Text] [Related]
19. Acoustics of the trained versus untrained singing voice.
Howard DM
Curr Opin Otolaryngol Head Neck Surg; 2009 Jun; 17(3):155-9. PubMed ID: 19365264
[TBL] [Abstract][Full Text] [Related]
20. Consistency of inhalatory breathing patterns in professional operatic singers.
Thomasson M; Sundberg J
J Voice; 2001 Sep; 15(3):373-83. PubMed ID: 11575634
[TBL] [Abstract][Full Text] [Related]
[Next] [New Search]