396 related articles for article (PubMed ID: 16287654)
1. Objective analysis of the singing voice as a training aid.
Sangiorgi T; Manfredi C; Bruscaglioni P
Logoped Phoniatr Vocol; 2005; 30(3-4):136-46. PubMed ID: 16287654
[TBL] [Abstract][Full Text] [Related]
2. The singing power ratio as an objective measure of singing voice quality in untrained talented and nontalented singers.
Watts C; Barnes-Burroughs K; Estis J; Blanton D
J Voice; 2006 Mar; 20(1):82-8. PubMed ID: 15922560
[TBL] [Abstract][Full Text] [Related]
3. Effects of HearFones on speaking and singing voice quality.
Laukkanen AM; Mickelson NP; Laitala M; Syrjä T; Salo A; Sihvo M
J Voice; 2004 Dec; 18(4):475-87. PubMed ID: 15567049
[TBL] [Abstract][Full Text] [Related]
4. [Vocal effectiveness in speech and singing: acoustical, physiological and perceptive aspects. applications in speech therapy].
Pillot C; Vaissière J
Rev Laryngol Otol Rhinol (Bord); 2006; 127(5):293-8. PubMed ID: 17425003
[TBL] [Abstract][Full Text] [Related]
5. [Oropharyngeal vocal tract space during singing--comparison of tactile-kinesthetic and auditory perception with objective endoscopic findings].
Schade G; Adelmann W; Müller F; Mantay C; Fleischer S; Leuwer R; Bubenheim M; Berger J; Hess M
Laryngorhinootologie; 2003 Aug; 82(8):541-51. PubMed ID: 12915984
[TBL] [Abstract][Full Text] [Related]
6. The relationship between measured vibrato characteristics and perception in Western operatic singing.
Howes P; Callaghan J; Davis P; Kenny D; Thorpe W
J Voice; 2004 Jun; 18(2):216-30. PubMed ID: 15193655
[TBL] [Abstract][Full Text] [Related]
7. The characterization of the vibrato in lyric and sertanejo singing styles: acoustic and perceptual auditory aspects.
de Almeida Bezerra A; Cukier-Blaj S; Duprat A; Camargo Z; Granato L
J Voice; 2009 Nov; 23(6):666-70. PubMed ID: 19022619
[TBL] [Abstract][Full Text] [Related]
8. [Comparative study of respiratory mechanisms between professional lyrical singers and beginners].
Lassalle A; Grini MN; Amy de la Bretèque B; Ouaknine M; Giovanni A
Rev Laryngol Otol Rhinol (Bord); 2002; 123(5):279-89. PubMed ID: 12741287
[TBL] [Abstract][Full Text] [Related]
9. Freddie Mercury-acoustic analysis of speaking fundamental frequency, vibrato, and subharmonics.
Herbst CT; Hertegard S; Zangger-Borch D; Lindestad PÅ
Logoped Phoniatr Vocol; 2017 Apr; 42(1):29-38. PubMed ID: 27079680
[TBL] [Abstract][Full Text] [Related]
10. Objective Identification of Prepubertal Female Singers and Non-singers by Singing Power Ratio Using Matlab.
Usha M; Geetha YV; Darshan YS
J Voice; 2017 Mar; 31(2):157-160. PubMed ID: 27481233
[TBL] [Abstract][Full Text] [Related]
11. Change in messa di voce characteristics during 3 years of classical singing training at the tertiary level.
Ferguson S; Kenny DT; Mitchell HF; Ryan M; Cabrera D
J Voice; 2013 Jul; 27(4):523.e35-48. PubMed ID: 23769004
[TBL] [Abstract][Full Text] [Related]
12. Development of an auditory-perceptual rating instrument for the operatic singing voice.
Oates JM; Bain B; Davis P; Chapman J; Kenny D
J Voice; 2006 Mar; 20(1):71-81. PubMed ID: 16051464
[TBL] [Abstract][Full Text] [Related]
13. Formant frequencies in Middle Eastern singers.
Hamdan AL; Tabri D; Deeb R; Rifai H; Rameh C; Fuleihan N
Am J Otolaryngol; 2008; 29(3):180-3. PubMed ID: 18439952
[TBL] [Abstract][Full Text] [Related]
14. Vibrato rate and extent in soprano voice: a survey on one century of singing.
Ferrante I
J Acoust Soc Am; 2011 Sep; 130(3):1683-8. PubMed ID: 21895105
[TBL] [Abstract][Full Text] [Related]
15. [Biofeedback in young singer vocal training].
Ciochină P; Ciochină AD; Burlui A; Zaharia D
Rev Med Chir Soc Med Nat Iasi; 2007; 111(1):303-6. PubMed ID: 17595886
[TBL] [Abstract][Full Text] [Related]
16. Acoustics of the trained versus untrained singing voice.
Howard DM
Curr Opin Otolaryngol Head Neck Surg; 2009 Jun; 17(3):155-9. PubMed ID: 19365264
[TBL] [Abstract][Full Text] [Related]
17. Nonlinear phenomena in contemporary vocal music.
Neubauer J; Edgerton M; Herzel H
J Voice; 2004 Mar; 18(1):1-12. PubMed ID: 15070219
[TBL] [Abstract][Full Text] [Related]
18. Vibrato Rate and Extent in College Music Majors: A Multicenter Study.
Nix J; Perna N; James K; Allen S
J Voice; 2016 Nov; 30(6):756.e31-756.e41. PubMed ID: 26564579
[TBL] [Abstract][Full Text] [Related]
19. [Significance of auditory and kinesthetic feedback in vocal training of young professional singers (students)].
Ciochină AD; Ciochină P; Cobzeanu MD; Burlui A; Zaharia D
Rev Med Chir Soc Med Nat Iasi; 2004; 108(4):913-9. PubMed ID: 16004242
[TBL] [Abstract][Full Text] [Related]
20. Acoustic parameters critical for an appropriate vibrato.
Anand S; Wingate JM; Smith B; Shrivastav R
J Voice; 2012 Nov; 26(6):820.e19-25. PubMed ID: 23177756
[TBL] [Abstract][Full Text] [Related]
[Next] [New Search]
