BIOMARKERS

Molecular Biopsy of Human Tumors

- a resource for Precision Medicine *

146 related articles for article (PubMed ID: 16301108)

  • 1. Effects of topical anesthetic and flexible fiberoptic laryngoscopy on professional sopranos.
    Jacobs MA; Kenny DT
    J Voice; 2005 Dec; 19(4):645-64. PubMed ID: 16301108
    [TBL] [Abstract][Full Text] [Related]  

  • 2. Acoustic and perceptual appraisal of vocal gestures in the female classical voice.
    Kenny DT; Mitchell HF
    J Voice; 2006 Mar; 20(1):55-70. PubMed ID: 15925482
    [TBL] [Abstract][Full Text] [Related]  

  • 3. The relationship between measured vibrato characteristics and perception in Western operatic singing.
    Howes P; Callaghan J; Davis P; Kenny D; Thorpe W
    J Voice; 2004 Jun; 18(2):216-30. PubMed ID: 15193655
    [TBL] [Abstract][Full Text] [Related]  

  • 4. Development of an auditory-perceptual rating instrument for the operatic singing voice.
    Oates JM; Bain B; Davis P; Chapman J; Kenny D
    J Voice; 2006 Mar; 20(1):71-81. PubMed ID: 16051464
    [TBL] [Abstract][Full Text] [Related]  

  • 5. Discrimination functions: can they be used to classify singing voices?
    Erickson ML; Perry S; Handel S
    J Voice; 2001 Dec; 15(4):492-502. PubMed ID: 11792025
    [TBL] [Abstract][Full Text] [Related]  

  • 6. [Seeing the timbre in the singing voice: training and retraining].
    Heuillet-Martin G; Danoy MC; Florentin L; Gordiani L; Quercia M; Garson H; Thomassin JM
    Rev Laryngol Otol Rhinol (Bord); 1990; 111(4):365-70. PubMed ID: 2281218
    [TBL] [Abstract][Full Text] [Related]  

  • 7. The effects of open throat technique on long term average spectra (LTAS) of female classical voices.
    Mitchell HF; Kenny DT
    Logoped Phoniatr Vocol; 2004; 29(3):99-118. PubMed ID: 15370642
    [TBL] [Abstract][Full Text] [Related]  

  • 8. Comparisons of voice onset time for trained male singers and male nonsingers during speaking and singing.
    McCrea CR; Morris RJ
    J Voice; 2005 Sep; 19(3):420-30. PubMed ID: 16102668
    [TBL] [Abstract][Full Text] [Related]  

  • 9. Effects of melody and technique on acoustical and musical features of western operatic singing voices.
    Larrouy-Maestri P; Magis D; Morsomme D
    J Voice; 2014 May; 28(3):332-40. PubMed ID: 24495421
    [TBL] [Abstract][Full Text] [Related]  

  • 10. Effects of professional singing education on vocal vibrato--a longitudinal study.
    Mürbe D; Zahnert T; Kuhlisch E; Sundberg J
    J Voice; 2007 Nov; 21(6):683-8. PubMed ID: 16876980
    [TBL] [Abstract][Full Text] [Related]  

  • 11. Automatic Assessment of Acoustic Parameters of the Singing Voice: Application to Professional Western Operatic and Jazz Singers.
    Manfredi C; Barbagallo D; Baracca G; Orlandi S; Bandini A; Dejonckere PH
    J Voice; 2015 Jul; 29(4):517.e1-9. PubMed ID: 25795355
    [TBL] [Abstract][Full Text] [Related]  

  • 12. Can listeners hear how many singers are singing? The effect of listener's experience, vibrato, onset, and formant frequency on the perception of number of simultaneous singers.
    Erickson ML; Gaskill CS
    J Voice; 2012 Nov; 26(6):817.e1-13. PubMed ID: 22921292
    [TBL] [Abstract][Full Text] [Related]  

  • 13. Change in messa di voce characteristics during 3 years of classical singing training at the tertiary level.
    Ferguson S; Kenny DT; Mitchell HF; Ryan M; Cabrera D
    J Voice; 2013 Jul; 27(4):523.e35-48. PubMed ID: 23769004
    [TBL] [Abstract][Full Text] [Related]  

  • 14. The singing power ratio as an objective measure of singing voice quality in untrained talented and nontalented singers.
    Watts C; Barnes-Burroughs K; Estis J; Blanton D
    J Voice; 2006 Mar; 20(1):82-8. PubMed ID: 15922560
    [TBL] [Abstract][Full Text] [Related]  

  • 15. The treatment and results of voice therapy amongst professional classical singers with vocal fold nodules.
    Chernobelsky SI
    Logoped Phoniatr Vocol; 2007; 32(4):178-84. PubMed ID: 17990189
    [TBL] [Abstract][Full Text] [Related]  

  • 16. The effect of topical anesthesia on vocal fold motion.
    Rubin AD; Shah A; Moyer CA; Johns MM
    J Voice; 2009 Jan; 23(1):128-31. PubMed ID: 18313897
    [TBL] [Abstract][Full Text] [Related]  

  • 17. Effects of Historical Recording Technology on Vibrato in Modern-Day Opera Singers.
    Glasner JD; Johnson AM
    J Voice; 2022 Jul; 36(4):464-478. PubMed ID: 32819779
    [TBL] [Abstract][Full Text] [Related]  

  • 18. Relations of singing talent with voice onset time of trained and untrained female singers.
    McCrea CR; Watts C
    Percept Mot Skills; 2007 Aug; 105(1):133-42. PubMed ID: 17918556
    [TBL] [Abstract][Full Text] [Related]  

  • 19. Change in vibrato rate and extent during tertiary training in classical singing students.
    Mitchell HF; Kenny DT
    J Voice; 2010 Jul; 24(4):427-34. PubMed ID: 19850446
    [TBL] [Abstract][Full Text] [Related]  

  • 20. Acoustics of the trained versus untrained singing voice.
    Howard DM
    Curr Opin Otolaryngol Head Neck Surg; 2009 Jun; 17(3):155-9. PubMed ID: 19365264
    [TBL] [Abstract][Full Text] [Related]  

    [Next]    [New Search]
    of 8.