These tools will no longer be maintained as of December 31, 2024. Archived website can be found here. PubMed4Hh GitHub repository can be found here. Contact NLM Customer Service if you have questions.
3. Dichotically-stimulated ear differences in musicians and nonmusicians. Johnson PR Cortex; 1977 Dec; 13(4):385-9. PubMed ID: 604007 [TBL] [Abstract][Full Text] [Related]
4. Shifting ear differences in melody comparison through transposition. Peretz I Cortex; 1987 Jun; 23(2):317-23. PubMed ID: 3608525 [TBL] [Abstract][Full Text] [Related]
5. Pianists exhibit enhanced memory for vocal melodies but not piano melodies. Weiss MW; Vanzella P; Schellenberg EG; Trehub SE Q J Exp Psychol (Hove); 2015; 68(5):866-77. PubMed ID: 25835127 [TBL] [Abstract][Full Text] [Related]
6. Enhanced auditory temporal gap detection in listeners with musical training. Mishra SK; Panda MR; Herbert C J Acoust Soc Am; 2014 Aug; 136(2):EL173-8. PubMed ID: 25096143 [TBL] [Abstract][Full Text] [Related]
7. The cerebral haemodynamics of music perception. A transcranial Doppler sonography study. Evers S; Dannert J; Rödding D; Rötter G; Ringelstein EB Brain; 1999 Jan; 122 ( Pt 1)():75-85. PubMed ID: 10050896 [TBL] [Abstract][Full Text] [Related]
8. [Perception of music stimuli by the Dichotic Listening Test--studies on college students making a specialty of music]. Tasaki H No To Shinkei; 1982 Nov; 34(11):1051-7. PubMed ID: 7159537 [TBL] [Abstract][Full Text] [Related]
9. Recognition of dichotic melodies by musicians and nonmusicians. Zatorre RJ Neuropsychologia; 1979; 17(6):607-17. PubMed ID: 522974 [No Abstract] [Full Text] [Related]
11. Ability to transcribe music and ear superiority for tone sequences. Johnson RC; Bowers JK; Gamble M; Lyons FM; Presbrey TW; Vetter RR Cortex; 1977 Sep; 13(3):295-9. PubMed ID: 923267 [TBL] [Abstract][Full Text] [Related]
12. Activation of the left superior temporal gyrus of musicians by music-derived sounds. Matsui T; Tanaka S; Kazai K; Tsuzaki M; Katayose H Neuroreport; 2013 Jan; 24(1):41-5. PubMed ID: 23196415 [TBL] [Abstract][Full Text] [Related]
13. Brain lateralization of metrical accenting in musicians. Abecasis D; Brochard R; Del Río D; Dufour A; Ortiz T Ann N Y Acad Sci; 2009 Jul; 1169():74-8. PubMed ID: 19673756 [TBL] [Abstract][Full Text] [Related]
15. Modes of processing melodies and ear asymmetry in non-musicians. Peretz I; Morais J Neuropsychologia; 1980; 18(4-5):477-89. PubMed ID: 7443015 [No Abstract] [Full Text] [Related]
16. From fragments to the whole: a comparison between cochlear implant users and normal-hearing listeners in music perception and enjoyment. Alexander AJ; Bartel L; Friesen L; Shipp D; Chen J J Otolaryngol Head Neck Surg; 2011 Feb; 40(1):1-7. PubMed ID: 21303594 [TBL] [Abstract][Full Text] [Related]
17. [Differences between right and left ears for pitch perception]. Charbonneau G; Risset JC C R Acad Hebd Seances Acad Sci D; 1975 Jul; 281(2-3):163-6. PubMed ID: 809197 [TBL] [Abstract][Full Text] [Related]
18. Memory for melodies in unfamiliar tuning systems: Investigating effects of recency and number of intervening items. Herff SA; Olsen KN; Dean RT; Prince J Q J Exp Psychol (Hove); 2018 Jun; 71(6):1367-1381. PubMed ID: 29808767 [TBL] [Abstract][Full Text] [Related]
19. Neural basis of music imagery and the effect of musical expertise. Herholz SC; Lappe C; Knief A; Pantev C Eur J Neurosci; 2008 Dec; 28(11):2352-60. PubMed ID: 19046375 [TBL] [Abstract][Full Text] [Related]
20. Degree of ear asymmetries for perception of dichotic chords and for illusory chord localization in musicians of different levels of competence. Gordon HW J Exp Psychol Hum Percept Perform; 1980 Aug; 6(3):516-27. PubMed ID: 6447765 [TBL] [Abstract][Full Text] [Related] [Next] [New Search]