BIOMARKERS

Molecular Biopsy of Human Tumors

- a resource for Precision Medicine *

207 related articles for article (PubMed ID: 20058970)

  • 1. Suitable reverberation times for halls for rock and pop music.
    Adelman-Larsen NW; Thompson ER; Gade AC
    J Acoust Soc Am; 2010 Jan; 127(1):247-55. PubMed ID: 20058970
    [TBL] [Abstract][Full Text] [Related]  

  • 2. The sound strength parameter G and its importance in evaluating and planning the acoustics of halls for music.
    Beranek L
    J Acoust Soc Am; 2011 May; 129(5):3020-6. PubMed ID: 21568405
    [TBL] [Abstract][Full Text] [Related]  

  • 3. Loudness perception of low tones undergoing partial masking by higher tones in orchestral music in concert halls.
    Nishihara N; Hidaka T
    J Acoust Soc Am; 2012 Aug; 132(2):799-803. PubMed ID: 22894202
    [TBL] [Abstract][Full Text] [Related]  

  • 4. Audience noise in concert halls during musical performances.
    Jeong CH; Marie P; Brunskog J; Møller Petersen C
    J Acoust Soc Am; 2012 Apr; 131(4):2753-61. PubMed ID: 22501054
    [TBL] [Abstract][Full Text] [Related]  

  • 5. Analysis of Sabine and Eyring equations and their application to concert hall audience and chair absorption.
    Beranek LL
    J Acoust Soc Am; 2006 Sep; 120(3):1399-410. PubMed ID: 17004464
    [TBL] [Abstract][Full Text] [Related]  

  • 6. Disentangling preference ratings of concert hall acoustics using subjective sensory profiles.
    Lokki T; Pätynen J; Kuusinen A; Tervo S
    J Acoust Soc Am; 2012 Nov; 132(5):3148-61. PubMed ID: 23145600
    [TBL] [Abstract][Full Text] [Related]  

  • 7. The just noticeable difference of center time and clarity index in large reverberant spaces.
    Martellotta F
    J Acoust Soc Am; 2010 Aug; 128(2):654-63. PubMed ID: 20707435
    [TBL] [Abstract][Full Text] [Related]  

  • 8. Engaging concert hall acoustics is made up of temporal envelope preserving reflections.
    Lokki T; Pätynen J; Tervo S; Siltanen S; Savioja L
    J Acoust Soc Am; 2011 Jun; 129(6):EL223-8. PubMed ID: 21682356
    [TBL] [Abstract][Full Text] [Related]  

  • 9. Relation of acoustical parameters with and without audiences in concert halls and a simple method for simulating the occupied state.
    Hidaka T; Nishihara N; Beranek LL
    J Acoust Soc Am; 2001 Mar; 109(3):1028-42. PubMed ID: 11303917
    [TBL] [Abstract][Full Text] [Related]  

  • 10. Mechanism of sound absorption by seated audience in halls.
    Nishihara N; Hidaka T; Beranek LL
    J Acoust Soc Am; 2001 Nov; 110(5 Pt 1):2398-411. PubMed ID: 11757930
    [TBL] [Abstract][Full Text] [Related]  

  • 11. The role of diffusive architectural surfaces on auditory spatial discrimination in performance venues.
    Robinson PW; Pätynen J; Lokki T; Jang HS; Jeon JY; Xiang N
    J Acoust Soc Am; 2013 Jun; 133(6):3940-50. PubMed ID: 23742348
    [TBL] [Abstract][Full Text] [Related]  

  • 12. Favorable reverberation time in concert halls revisited for piano and violin solos.
    Hidaka T; Nishihara N
    J Acoust Soc Am; 2022 Mar; 151(3):2192. PubMed ID: 35364944
    [TBL] [Abstract][Full Text] [Related]  

  • 13. Relationships between preference ratings, sensory profiles, and acoustical measurements in concert halls.
    Kuusinen A; Pätynen J; Tervo S; Lokki T
    J Acoust Soc Am; 2014 Jan; 135(1):239-50. PubMed ID: 24437764
    [TBL] [Abstract][Full Text] [Related]  

  • 14. Objective evaluation of chamber-music halls in Europe and Japan.
    Hidaka T; Nishihara N
    J Acoust Soc Am; 2004 Jul; 116(1):357-72. PubMed ID: 15295996
    [TBL] [Abstract][Full Text] [Related]  

  • 15. A study of the just noticeable difference of early decay time for symphonic halls.
    Del Solar Dorrego F; Vigeant MC
    J Acoust Soc Am; 2022 Jan; 151(1):80. PubMed ID: 35105034
    [TBL] [Abstract][Full Text] [Related]  

  • 16. Architectural shape and early acoustic efficiency in concert halls (L).
    Jurkiewicz Y; Wulfrank T; Kahle E
    J Acoust Soc Am; 2012 Sep; 132(3):1253-6. PubMed ID: 22978852
    [TBL] [Abstract][Full Text] [Related]  

  • 17. Concert halls with strong and lateral sound increase the emotional impact of orchestra music.
    Pätynen J; Lokki T
    J Acoust Soc Am; 2016 Mar; 139(3):1214-24. PubMed ID: 27036257
    [TBL] [Abstract][Full Text] [Related]  

  • 18. Blind single-channel suppression of late reverberation based on perceptual reverberation modeling.
    Tsilfidis A; Mourjopoulos J
    J Acoust Soc Am; 2011 Mar; 129(3):1439-51. PubMed ID: 21428508
    [TBL] [Abstract][Full Text] [Related]  

  • 19. Perception of music dynamics in concert hall acoustics.
    Pätynen J; Lokki T
    J Acoust Soc Am; 2016 Nov; 140(5):3787. PubMed ID: 27908068
    [TBL] [Abstract][Full Text] [Related]  

  • 20. Lateral reflections are favorable in concert halls due to binaural loudness.
    Lokki T; Pätynen J
    J Acoust Soc Am; 2011 Nov; 130(5):EL345-51. PubMed ID: 22088039
    [TBL] [Abstract][Full Text] [Related]  

    [Next]    [New Search]
    of 11.