These tools will no longer be maintained as of December 31, 2024. Archived website can be found here. PubMed4Hh GitHub repository can be found here. Contact NLM Customer Service if you have questions.


BIOMARKERS

Molecular Biopsy of Human Tumors

- a resource for Precision Medicine *

118 related articles for article (PubMed ID: 20058996)

  • 1. Perceptual studies of violin body damping and vibrato.
    Fritz C; Woodhouse J; Cheng FP; Cross I; Blackwell AF; Moore BC
    J Acoust Soc Am; 2010 Jan; 127(1):513-24. PubMed ID: 20058996
    [TBL] [Abstract][Full Text] [Related]  

  • 2. Perceptual thresholds for detecting modifications applied to the acoustical properties of a violin.
    Fritz C; Cross I; Moore BC; Woodhouse J
    J Acoust Soc Am; 2007 Dec; 122(6):3640-50. PubMed ID: 18247771
    [TBL] [Abstract][Full Text] [Related]  

  • 3. The time-frequency characteristics of violin vibrato: modal distribution analysis and synthesis.
    Mellody M; Wakefield GH
    J Acoust Soc Am; 2000 Jan; 107(1):598-611. PubMed ID: 10641668
    [TBL] [Abstract][Full Text] [Related]  

  • 4. Performing Lieder: Expert Perspectives and Comparison of Vibrato and Singer's Formant With Opera Singers.
    Johnson-Read L; Chmiel A; Schubert E; Wolfe J
    J Voice; 2015 Sep; 29(5):645.e15-32. PubMed ID: 25873544
    [TBL] [Abstract][Full Text] [Related]  

  • 5. Can listeners hear how many singers are singing? The effect of listener's experience, vibrato, onset, and formant frequency on the perception of number of simultaneous singers.
    Erickson ML; Gaskill CS
    J Voice; 2012 Nov; 26(6):817.e1-13. PubMed ID: 22921292
    [TBL] [Abstract][Full Text] [Related]  

  • 6. Perceptual evaluation of violins: A psycholinguistic analysis of preference verbal descriptions by experienced musicians.
    Saitis C; Fritz C; Scavone GP; Guastavino C; Dubois D
    J Acoust Soc Am; 2017 Apr; 141(4):2746. PubMed ID: 28464656
    [TBL] [Abstract][Full Text] [Related]  

  • 7. Acoustic parameters critical for an appropriate vibrato.
    Anand S; Wingate JM; Smith B; Shrivastav R
    J Voice; 2012 Nov; 26(6):820.e19-25. PubMed ID: 23177756
    [TBL] [Abstract][Full Text] [Related]  

  • 8. Perceptual evaluation of violins: a quantitative analysis of preference judgments by experienced players.
    Saitis C; Giordano BL; Fritz C; Scavone GP
    J Acoust Soc Am; 2012 Dec; 132(6):4002-12. PubMed ID: 23231129
    [TBL] [Abstract][Full Text] [Related]  

  • 9. The relationship between measured vibrato characteristics and perception in Western operatic singing.
    Howes P; Callaghan J; Davis P; Kenny D; Thorpe W
    J Voice; 2004 Jun; 18(2):216-30. PubMed ID: 15193655
    [TBL] [Abstract][Full Text] [Related]  

  • 10. Effect of the glottal source and the vocal tract on the partials amplitude of vibrato in male voices.
    Arroabarren I; Carlosena A
    J Acoust Soc Am; 2006 Apr; 119(4):2483-97. PubMed ID: 16642861
    [TBL] [Abstract][Full Text] [Related]  

  • 11. Perception of Non-Vibrato Sung Tones: A Pilot Study.
    Wooding R; Nix J
    J Voice; 2016 Nov; 30(6):762.e15-762.e21. PubMed ID: 26611706
    [TBL] [Abstract][Full Text] [Related]  

  • 12. Singers' and Nonsingers' Perception of Vocal Vibrato.
    Reddy AA; Subramanian U
    J Voice; 2015 Sep; 29(5):603-10. PubMed ID: 25795372
    [TBL] [Abstract][Full Text] [Related]  

  • 13. Exploring violin sound quality: investigating English timbre descriptors and correlating resynthesized acoustical modifications with perceptual properties.
    Fritz C; Blackwell AF; Cross I; Woodhouse J; Moore BC
    J Acoust Soc Am; 2012 Jan; 131(1):783-94. PubMed ID: 22280701
    [TBL] [Abstract][Full Text] [Related]  

  • 14. Can Inexperienced Listeners Hear Who Is Flat? The Role of Timbre and Vibrato.
    Erickson ML
    J Voice; 2016 Sep; 30(5):638.e9-638.e20. PubMed ID: 26365312
    [TBL] [Abstract][Full Text] [Related]  

  • 15. Vibrato of saxophones.
    Gilbert J; Simon L; Terroir J
    J Acoust Soc Am; 2005 Oct; 118(4):2649-55. PubMed ID: 16266184
    [TBL] [Abstract][Full Text] [Related]  

  • 16. Impact of room acoustic parameters on speech and music perception among participants with cochlear implants.
    Eurich B; Klenzner T; Oehler M
    Hear Res; 2019 Jun; 377():122-132. PubMed ID: 30933704
    [TBL] [Abstract][Full Text] [Related]  

  • 17. Acoustic structure of the five perceptual dimensions of timbre in orchestral instrument tones.
    Elliott TM; Hamilton LS; Theunissen FE
    J Acoust Soc Am; 2013 Jan; 133(1):389-404. PubMed ID: 23297911
    [TBL] [Abstract][Full Text] [Related]  

  • 18. Influence of vibrotactile feedback on some perceptual features of violins.
    Wollman I; Fritz C; Poitevineau J
    J Acoust Soc Am; 2014 Aug; 136(2):910-21. PubMed ID: 25096125
    [TBL] [Abstract][Full Text] [Related]  

  • 19. The characterization of the vibrato in lyric and sertanejo singing styles: acoustic and perceptual auditory aspects.
    de Almeida Bezerra A; Cukier-Blaj S; Duprat A; Camargo Z; Granato L
    J Voice; 2009 Nov; 23(6):666-70. PubMed ID: 19022619
    [TBL] [Abstract][Full Text] [Related]  

  • 20. Selective neurophysiologic responses to music in instrumentalists with different listening biographies.
    Margulis EH; Mlsna LM; Uppunda AK; Parrish TB; Wong PC
    Hum Brain Mapp; 2009 Jan; 30(1):267-75. PubMed ID: 18072277
    [TBL] [Abstract][Full Text] [Related]  

    [Next]    [New Search]
    of 6.