These tools will no longer be maintained as of December 31, 2024. Archived website can be found here. PubMed4Hh GitHub repository can be found here. Contact NLM Customer Service if you have questions.


BIOMARKERS

Molecular Biopsy of Human Tumors

- a resource for Precision Medicine *

114 related articles for article (PubMed ID: 22055738)

  • 21. Evolutionary considerations on complex emotions and music-induced emotions: Comment on "The quartet theory of human emotions: An integrative and neurofunctional model" by S. Koelsch et al.
    Gingras B; Marin MM
    Phys Life Rev; 2015 Jun; 13():53-4. PubMed ID: 25911261
    [No Abstract]   [Full Text] [Related]  

  • 22. Aesthetic emotions goals: Comment on "The quartet theory of human emotions: An integrative and neurofunctional model" by S. Koelsch et al.
    Perlovsky L
    Phys Life Rev; 2015 Jun; 13():80-2. PubMed ID: 25911259
    [No Abstract]   [Full Text] [Related]  

  • 23. Disentangling complex emotions with structured neurophysiological models: Comment on "The quartet theory of human emotions: An integrative and neurofunctional model" by S. Koelsch et al.
    Kaernbach C
    Phys Life Rev; 2015 Jun; 13():61-2. PubMed ID: 25933482
    [No Abstract]   [Full Text] [Related]  

  • 24. Language limits the experience of emotions: Comment on "The quartet theory of human emotions: An integrative and neurofunctional model" by S. Koelsch et al.
    Wood A; Niedenthal P
    Phys Life Rev; 2015 Jun; 13():95-8. PubMed ID: 25921193
    [No Abstract]   [Full Text] [Related]  

  • 25. Variability and situatedness of human emotions: Comment on "The quartet theory of human emotions: An integrative and neurofunctional model" by S. Koelsch et al.
    Nadal M; Rosselló J
    Phys Life Rev; 2015 Jun; 13():75-6. PubMed ID: 25911256
    [No Abstract]   [Full Text] [Related]  

  • 26. Early emotional prosody perception based on different speaker voices.
    Paulmann S; Kotz SA
    Neuroreport; 2008 Jan; 19(2):209-13. PubMed ID: 18185110
    [TBL] [Abstract][Full Text] [Related]  

  • 27. Aesthetic emotions to art - What they are and what makes them special: Comment on "The quartet theory of human emotions: An integrative and neurofunctional model" by S. Koelsch et al.
    Leder H; Markey PS; Pelowski M
    Phys Life Rev; 2015 Jun; 13():67-70. PubMed ID: 25956188
    [No Abstract]   [Full Text] [Related]  

  • 28. Regulating with imagery and the complexity of basic emotions: Comment on "The quartet theory of human emotions: An integrative and neurofunctional model" by S. Koelsch et al.
    Meyer M; Kuchinke L
    Phys Life Rev; 2015 Jun; 13():73-4. PubMed ID: 25912768
    [No Abstract]   [Full Text] [Related]  

  • 29. What is distressing about auditory verbal hallucinations? The contribution of goal interference and goal facilitation.
    Varese F; Mansell W; Tai SJ
    Psychol Psychother; 2017 Dec; 90(4):720-734. PubMed ID: 28726350
    [TBL] [Abstract][Full Text] [Related]  

  • 30. Predictive coding links perception, action, and learning to emotions in music: Comment on "The quartet theory of human emotions: An integrative and neurofunctional model" by S. Koelsch et al.
    Gebauer L; Kringelbach ML; Vuust P
    Phys Life Rev; 2015 Jun; 13():50-2. PubMed ID: 25911260
    [No Abstract]   [Full Text] [Related]  

  • 31. What is reconfigured?: Comment on "The quartet theory of human emotions: An integrative and neurofunctional model" by S. Koelsch et al.
    Engelen EM
    Phys Life Rev; 2015 Jun; 13():45-6. PubMed ID: 25921635
    [No Abstract]   [Full Text] [Related]  

  • 32. The problem with emotion: Comment on "The quartet theory of human emotions: An integrative and neurofunctional model" by S. Koelsch et al.
    Bowling DL
    Phys Life Rev; 2015 Jun; 13():33-5. PubMed ID: 25907687
    [No Abstract]   [Full Text] [Related]  

  • 33. From neuro-functional to neuro-computational models: Comment on "The quartet theory of human emotions: An integrative and neurofunctional model" by S. Koelsch et al.
    Briesemeister BB
    Phys Life Rev; 2015 Jun; 13():38-9. PubMed ID: 25887986
    [No Abstract]   [Full Text] [Related]  

  • 34. Musical rhythm and affect: Comment on "The quartet theory of human emotions: An integrative and neurofunctional model" by S. Koelsch et al.
    Witek MA; Kringelbach ML; Vuust P
    Phys Life Rev; 2015 Jun; 13():92-4. PubMed ID: 25936618
    [No Abstract]   [Full Text] [Related]  

  • 35. The difference between emotion and affect: Comment on "The quartet theory of human emotions: An integrative and neurofunctional model" by S. Koelsch et al.
    Cochrane T
    Phys Life Rev; 2015 Jun; 13():43-4. PubMed ID: 25936619
    [No Abstract]   [Full Text] [Related]  

  • 36. Bridges from affect to language: Comment on "The quartet theory of human emotions: An integrative and neurofunctional model" by S. Koelsch et al.
    Schmidtke DS; Aryani A
    Phys Life Rev; 2015 Jun; 13():83-4. PubMed ID: 25912769
    [No Abstract]   [Full Text] [Related]  

  • 37. The multi-instrumentalist hippocampus: Comment on "The quartet theory of human emotions: An integrative and neurofunctional model" by S. Koelsch et al.
    Strange BA; Yebra M
    Phys Life Rev; 2015 Jun; 13():85-6. PubMed ID: 25921634
    [No Abstract]   [Full Text] [Related]  

  • 38. Audiovisual integration of emotional signals in voice and face: an event-related fMRI study.
    Kreifelts B; Ethofer T; Grodd W; Erb M; Wildgruber D
    Neuroimage; 2007 Oct; 37(4):1445-56. PubMed ID: 17659885
    [TBL] [Abstract][Full Text] [Related]  

  • 39. Recognition of emotions from faces and voices in medial temporal lobe epilepsy.
    Bonora A; Benuzzi F; Monti G; Mirandola L; Pugnaghi M; Nichelli P; Meletti S
    Epilepsy Behav; 2011 Apr; 20(4):648-54. PubMed ID: 21459049
    [TBL] [Abstract][Full Text] [Related]  

  • 40. The Quartet does not play alone: Comment on "The quartet theory of human emotions: An integrative and neurofunctional model" by S. Koelsch et al.
    Marco-Pallarés J; Mas-Herrero E
    Phys Life Rev; 2015 Jun; 13():71-2. PubMed ID: 25911255
    [No Abstract]   [Full Text] [Related]  

    [Previous]   [Next]    [New Search]
    of 6.