These tools will no longer be maintained as of December 31, 2024. Archived website can be found here. PubMed4Hh GitHub repository can be found here. Contact NLM Customer Service if you have questions.
192 related articles for article (PubMed ID: 22352494)
1. The effect of loudness on the reverberance of music: reverberance prediction using loudness models. Lee D; Cabrera D; Martens WL J Acoust Soc Am; 2012 Feb; 131(2):1194-205. PubMed ID: 22352494 [TBL] [Abstract][Full Text] [Related]
2. Comparison of psychoacoustic-based reverberance parameters. Lee D; van Dorp Schuitman J; Cabrera D; Qiu X; Burnett I J Acoust Soc Am; 2017 Oct; 142(4):1832. PubMed ID: 29092554 [TBL] [Abstract][Full Text] [Related]
3. The influence of signal type on perceived reverberance. Teret E; Pastore MT; Braasch J J Acoust Soc Am; 2017 Mar; 141(3):1675. PubMed ID: 28372042 [TBL] [Abstract][Full Text] [Related]
5. Subjective and objective evaluations of a scattered sound field in a scale model opera house. Ryu JK; Jeon JY J Acoust Soc Am; 2008 Sep; 124(3):1538-49. PubMed ID: 19045645 [TBL] [Abstract][Full Text] [Related]
6. Monaural room acoustic parameters from music and speech. Kendrick P; Cox TJ; Li FF; Zhang Y; Chambers JA J Acoust Soc Am; 2008 Jul; 124(1):278-87. PubMed ID: 18646976 [TBL] [Abstract][Full Text] [Related]
7. Deriving content-specific measures of room acoustic perception using a binaural, nonlinear auditory model. van Dorp Schuitman J; de Vries D; Lindau A J Acoust Soc Am; 2013 Mar; 133(3):1572-85. PubMed ID: 23464027 [TBL] [Abstract][Full Text] [Related]
8. Influence of pitch, loudness, and timbre on the perception of instrument dynamics. Fabiani M; Friberg A J Acoust Soc Am; 2011 Oct; 130(4):EL193-9. PubMed ID: 21974491 [TBL] [Abstract][Full Text] [Related]
9. Disentangling preference ratings of concert hall acoustics using subjective sensory profiles. Lokki T; Pätynen J; Kuusinen A; Tervo S J Acoust Soc Am; 2012 Nov; 132(5):3148-61. PubMed ID: 23145600 [TBL] [Abstract][Full Text] [Related]
10. The sound strength parameter G and its importance in evaluating and planning the acoustics of halls for music. Beranek L J Acoust Soc Am; 2011 May; 129(5):3020-6. PubMed ID: 21568405 [TBL] [Abstract][Full Text] [Related]
11. Reverberation strength perceived by normal-hearing listeners predictable based on time-varying binaural loudness. Ellis GM; Zahorik P Hear Res; 2021 Sep; 409():108316. PubMed ID: 34340021 [TBL] [Abstract][Full Text] [Related]
14. A dissociation between speech understanding and perceived reverberation. Ellis GM; Zahorik P Hear Res; 2019 Aug; 379():52-58. PubMed ID: 31075611 [TBL] [Abstract][Full Text] [Related]
15. Towards a method for loudness-based analysis of the sound of one's own voice. Yadav M; Cabrera D; Kenny DT Logoped Phoniatr Vocol; 2014 Oct; 39(3):117-25. PubMed ID: 23570449 [TBL] [Abstract][Full Text] [Related]
20. A study of the just noticeable difference of early decay time for symphonic halls. Del Solar Dorrego F; Vigeant MC J Acoust Soc Am; 2022 Jan; 151(1):80. PubMed ID: 35105034 [TBL] [Abstract][Full Text] [Related] [Next] [New Search]