These tools will no longer be maintained as of December 31, 2024. Archived website can be found here. PubMed4Hh GitHub repository can be found here. Contact NLM Customer Service if you have questions.


BIOMARKERS

Molecular Biopsy of Human Tumors

- a resource for Precision Medicine *

151 related articles for article (PubMed ID: 24312065)

  • 1. The movements made by performers in a skilled quartet: a distinctive pattern, and the function that it serves.
    Glowinski D; Mancini M; Cowie R; Camurri A; Chiorri C; Doherty C
    Front Psychol; 2013; 4():841. PubMed ID: 24312065
    [TBL] [Abstract][Full Text] [Related]  

  • 2. Musical and Bodily Predictors of Mental Effort in String Quartet Music: An Ecological Pupillometry Study of Performers and Listeners.
    Bishop L; Jensenius AR; Laeng B
    Front Psychol; 2021; 12():653021. PubMed ID: 34262504
    [TBL] [Abstract][Full Text] [Related]  

  • 3. Music Regulators in Two String Quartets: A Comparison of Communicative Behaviors between Low- and High-Stress Performance Conditions.
    Biasutti M; Concina E; Wasley D; Williamon A
    Front Psychol; 2016; 7():1229. PubMed ID: 27610089
    [TBL] [Abstract][Full Text] [Related]  

  • 4. Measuring ensemble interdependence in a string quartet through analysis of multidimensional performance data.
    Papiotis P; Marchini M; Perez-Carrillo A; Maestre E
    Front Psychol; 2014; 5():963. PubMed ID: 25228894
    [TBL] [Abstract][Full Text] [Related]  

  • 5. Leadership dynamics in musical groups: Quantifying effects of musical structure on directionality of influence in concert performance videos.
    Sabharwal SR; Breaden M; Volpe G; Camurri A; Keller PE
    PLoS One; 2024; 19(4):e0300663. PubMed ID: 38568939
    [TBL] [Abstract][Full Text] [Related]  

  • 6. The influence of performing gesture type on interpersonal musical timing, and the role of visual contact and tempo.
    Coorevits E; Maes PJ; Six J; Leman M
    Acta Psychol (Amst); 2020 Oct; 210():103166. PubMed ID: 32919094
    [TBL] [Abstract][Full Text] [Related]  

  • 7. An Expressive Bodily Movement Repertoire for Marimba Performance, Revealed through Observers' Laban Effort-Shape Analyses, and Allied Musical Features: Two Case Studies.
    Broughton MC; Davidson JW
    Front Psychol; 2016; 7():1211. PubMed ID: 27630585
    [TBL] [Abstract][Full Text] [Related]  

  • 8. Optimal feedback correction in string quartet synchronization.
    Wing AM; Endo S; Bradbury A; Vorberg D
    J R Soc Interface; 2014 Apr; 11(93):20131125. PubMed ID: 24478285
    [TBL] [Abstract][Full Text] [Related]  

  • 9. fNIRS Responses in Professional Violinists While Playing Duets: Evidence for Distinct Leader and Follower Roles at the Brain Level.
    Vanzella P; Balardin JB; Furucho RA; Zimeo Morais GA; Braun Janzen T; Sammler D; Sato JR
    Front Psychol; 2019; 10():164. PubMed ID: 30804846
    [TBL] [Abstract][Full Text] [Related]  

  • 10. Negotiating between individual and joint goals in ensemble musical performance.
    MacRitchie J; Herff SA; Procopio A; Keller PE
    Q J Exp Psychol (Hove); 2018 Jul; 71(7):1535-1551. PubMed ID: 28585902
    [TBL] [Abstract][Full Text] [Related]  

  • 11. Creating a shared musical interpretation: Changes in coordination dynamics while learning unfamiliar music together.
    Wood EA; Chang A; Bosnyak D; Klein L; Baraku E; Dotov D; Trainor LJ
    Ann N Y Acad Sci; 2022 Oct; 1516(1):106-113. PubMed ID: 35819164
    [TBL] [Abstract][Full Text] [Related]  

  • 12. The Conductor As Visual Guide: Gesture and Perception of Musical Content.
    Kumar AB; Morrison SJ
    Front Psychol; 2016; 7():1049. PubMed ID: 27458425
    [TBL] [Abstract][Full Text] [Related]  

  • 13. Effects of individual practice on joint musical synchronization.
    Plitchenko P; Bégel V; Palmer C
    Front Hum Neurosci; 2024; 18():1381232. PubMed ID: 38841125
    [TBL] [Abstract][Full Text] [Related]  

  • 14. EEG Hyperconnectivity Study on Saxophone Quartet Playing in Ensemble.
    Greco A; Spada D; Rossi S; Perani D; Valenza G; Scilingo EP
    Annu Int Conf IEEE Eng Med Biol Soc; 2018 Jul; 2018():1015-1018. PubMed ID: 30440563
    [TBL] [Abstract][Full Text] [Related]  

  • 15. Sensorimotor communication in professional quartets.
    Badino L; D'Ausilio A; Glowinski D; Camurri A; Fadiga L
    Neuropsychologia; 2014 Mar; 55():98-104. PubMed ID: 24333167
    [TBL] [Abstract][Full Text] [Related]  

  • 16. Knowing too little or too much: the effects of familiarity with a co-performer's part on interpersonal coordination in musical ensembles.
    Ragert M; Schroeder T; Keller PE
    Front Psychol; 2013; 4():368. PubMed ID: 23805116
    [TBL] [Abstract][Full Text] [Related]  

  • 17. Psycho-physiological responses to expressive piano performance.
    Nakahara H; Furuya S; Francis PR; Kinoshita H
    Int J Psychophysiol; 2010 Mar; 75(3):268-76. PubMed ID: 20025907
    [TBL] [Abstract][Full Text] [Related]  

  • 18. Timings and interactions of skilled musicians.
    Moore GP; Chen J
    Biol Cybern; 2010 Nov; 103(5):401-14. PubMed ID: 21046143
    [TBL] [Abstract][Full Text] [Related]  

  • 19. Perceiving musical individuality: performer identification is dependent on performer expertise and expressiveness, but not on listener expertise.
    Gingras B; Lagrandeur-Ponce T; Giordano BL; McAdams S
    Perception; 2011; 40(10):1206-20. PubMed ID: 22308890
    [TBL] [Abstract][Full Text] [Related]  

  • 20. The influence of a conductor and co-performer on auditory-motor synchronisation, temporal prediction, and ancillary entrainment in a musical drumming task.
    Colley I; Varlet M; MacRitchie J; Keller PE
    Hum Mov Sci; 2020 Aug; 72():102653. PubMed ID: 32721371
    [TBL] [Abstract][Full Text] [Related]  

    [Next]    [New Search]
    of 8.