210 related articles for article (PubMed ID: 24902631)
21. Comparative analysis of singer's high formant in different type of singing voices.
Doskov D; Ivanov T; Boyanov B
Folia Phoniatr Logop; 1995; 47(5):291-5. PubMed ID: 8563781
[TBL] [Abstract][Full Text] [Related]
22. Common Vocal Effects and Partial Glottal Vibration in Professional Nonclassical Singers.
Caffier PP; Ibrahim Nasr A; Ropero Rendon MDM; Wienhausen S; Forbes E; Seidner W; Nawka T
J Voice; 2018 May; 32(3):340-346. PubMed ID: 28711454
[TBL] [Abstract][Full Text] [Related]
23. Analysis of male singers laryngeal vertical displacement during the first passaggio and its implications on the vocal folds vibratory pattern.
Andrade PA
J Voice; 2012 Sep; 26(5):665.e19-24. PubMed ID: 22578439
[TBL] [Abstract][Full Text] [Related]
24. Contact Quotient of Female Singers Singing Four Pitches for Five Vowels in Normal and Pressed Phonations.
Ong Tan KG
J Voice; 2017 Sep; 31(5):645.e15-645.e22. PubMed ID: 28554825
[TBL] [Abstract][Full Text] [Related]
25. Emotional expressivity in singing. Assessing physiological and acoustic indicators of two opera singers' voice characteristics.
Sundberg J; Salomão GL; Scherer KR
J Acoust Soc Am; 2024 Jan; 155(1):18-28. PubMed ID: 38169520
[TBL] [Abstract][Full Text] [Related]
26. Phonatory control in male singing: a study of the effects of subglottal pressure, fundamental frequency, and mode of phonation on the voice source.
Sundberg J; Titze I; Scherer R
J Voice; 1993 Mar; 7(1):15-29. PubMed ID: 8353616
[TBL] [Abstract][Full Text] [Related]
27. Formant Tuning and Feedback in the Male Passaggio.
Ritzerfeld WGJ; Miller DG
J Voice; 2017 Jul; 31(4):506.e7-506.e17. PubMed ID: 27816356
[TBL] [Abstract][Full Text] [Related]
28. Formant frequencies in country singers' speech and singing.
Stone RE; Cleveland TF; Sundberg J
J Voice; 1999 Jun; 13(2):161-7. PubMed ID: 10442747
[TBL] [Abstract][Full Text] [Related]
29. What do male singers mean by modal and falsetto register? An investigation of the glottal voice source.
Salomão GL; Sundberg J
Logoped Phoniatr Vocol; 2009; 34(2):73-83. PubMed ID: 19363740
[TBL] [Abstract][Full Text] [Related]
30. Objective Characterization of Phonation Type Using Amplitude of Flow Glottogram Pulse and of Voice Source Fundamental.
Sundberg J
J Voice; 2022 Jan; 36(1):4-14. PubMed ID: 32402665
[TBL] [Abstract][Full Text] [Related]
31. Female adolescent singing voice characteristics: an exploratory study using LTAS and inverse filtering.
Baker CP; Sundberg J; Purdy SC; Rakena TO
Logoped Phoniatr Vocol; 2024 Jul; 49(2):83-95. PubMed ID: 36322641
[No Abstract] [Full Text] [Related]
32. Performing Lieder: Expert Perspectives and Comparison of Vibrato and Singer's Formant With Opera Singers.
Johnson-Read L; Chmiel A; Schubert E; Wolfe J
J Voice; 2015 Sep; 29(5):645.e15-32. PubMed ID: 25873544
[TBL] [Abstract][Full Text] [Related]
33. Objective Identification of Prepubertal Female Singers and Non-singers by Singing Power Ratio Using Matlab.
Usha M; Geetha YV; Darshan YS
J Voice; 2017 Mar; 31(2):157-160. PubMed ID: 27481233
[TBL] [Abstract][Full Text] [Related]
34. Vertical Phase Difference and Glottal Efficiency in Musical Theater and Opera Singers.
Kirsh E; Zacharias SRC; de Alarcon A; Deliyski D; Tabangin M; Khosla S
J Voice; 2017 Jan; 31(1):130.e19-130.e25. PubMed ID: 26776950
[TBL] [Abstract][Full Text] [Related]
35. Assessment of Tongue Position and Laryngeal Height in Two Professional Voice Populations.
Hosbach-Cannon CJ; Lowell SY; Colton RH; Kelley RT; Bao X
J Speech Lang Hear Res; 2020 Jan; 63(1):109-124. PubMed ID: 31944876
[TBL] [Abstract][Full Text] [Related]
36. A Formant Range Profile for Singers.
Titze IR; Maxfield LM; Walker MC
J Voice; 2017 May; 31(3):382.e9-382.e13. PubMed ID: 28029556
[TBL] [Abstract][Full Text] [Related]
37. Aspects of ageing on professional opera singer's voice - preliminary findings.
Sobolewska A; Claros P; Pujol C; Claros-Pujol A; Claros A
Otolaryngol Pol; 2019 Mar; 73(4):29-34. PubMed ID: 31474622
[TBL] [Abstract][Full Text] [Related]
38. Text intelligibility and the singer's formant--a relationship?
Sundberg J; Romedahl C
J Voice; 2009 Sep; 23(5):539-45. PubMed ID: 18468842
[TBL] [Abstract][Full Text] [Related]
39. Acoustic Analysis of Madhya and Taar Saptak/Sthayi in Indian Classical Singers.
Gunjawate DR; Aithal VU; Guddattu V; Bellur R
Folia Phoniatr Logop; 2015; 67(1):36-41. PubMed ID: 25998061
[TBL] [Abstract][Full Text] [Related]
40. Acoustical analysis of the underlying voice differences between two groups of professional singers: opera and country and western.
Burns P
Laryngoscope; 1986 May; 96(5):549-54. PubMed ID: 3702569
[TBL] [Abstract][Full Text] [Related]
[Previous] [Next] [New Search]
