BIOMARKERS

Molecular Biopsy of Human Tumors

- a resource for Precision Medicine *

202 related articles for article (PubMed ID: 25324094)

  • 1. Using listener-based perceptual features as intermediate representations in music information retrieval.
    Friberg A; Schoonderwaldt E; Hedblad A; Fabiani M; Elowsson A
    J Acoust Soc Am; 2014 Oct; 136(4):1951-63. PubMed ID: 25324094
    [TBL] [Abstract][Full Text] [Related]  

  • 2. Psychoacoustic cues to emotion in speech prosody and music.
    Coutinho E; Dibben N
    Cogn Emot; 2013; 27(4):658-84. PubMed ID: 23057507
    [TBL] [Abstract][Full Text] [Related]  

  • 3. Perceptual thresholds for detecting modifications applied to the acoustical properties of a violin.
    Fritz C; Cross I; Moore BC; Woodhouse J
    J Acoust Soc Am; 2007 Dec; 122(6):3640-50. PubMed ID: 18247771
    [TBL] [Abstract][Full Text] [Related]  

  • 4. Acoustic structure of the five perceptual dimensions of timbre in orchestral instrument tones.
    Elliott TM; Hamilton LS; Theunissen FE
    J Acoust Soc Am; 2013 Jan; 133(1):389-404. PubMed ID: 23297911
    [TBL] [Abstract][Full Text] [Related]  

  • 5. Disentangling preference ratings of concert hall acoustics using subjective sensory profiles.
    Lokki T; Pätynen J; Kuusinen A; Tervo S
    J Acoust Soc Am; 2012 Nov; 132(5):3148-61. PubMed ID: 23145600
    [TBL] [Abstract][Full Text] [Related]  

  • 6. Musical emotions: predicting second-by-second subjective feelings of emotion from low-level psychoacoustic features and physiological measurements.
    Coutinho E; Cangelosi A
    Emotion; 2011 Aug; 11(4):921-37. PubMed ID: 21859207
    [TBL] [Abstract][Full Text] [Related]  

  • 7. Predicting the perception of performed dynamics in music audio with ensemble learning.
    Elowsson A; Friberg A
    J Acoust Soc Am; 2017 Mar; 141(3):2224. PubMed ID: 28372147
    [TBL] [Abstract][Full Text] [Related]  

  • 8. Towards a neural basis of music perception.
    Koelsch S; Siebel WA
    Trends Cogn Sci; 2005 Dec; 9(12):578-84. PubMed ID: 16271503
    [TBL] [Abstract][Full Text] [Related]  

  • 9. Modeling listeners' emotional response to music.
    Eerola T
    Top Cogn Sci; 2012 Oct; 4(4):607-24. PubMed ID: 22389191
    [TBL] [Abstract][Full Text] [Related]  

  • 10. Music-induced emotions can be predicted from a combination of brain activity and acoustic features.
    Daly I; Williams D; Hallowell J; Hwang F; Kirke A; Malik A; Weaver J; Miranda E; Nasuto SJ
    Brain Cogn; 2015 Dec; 101():1-11. PubMed ID: 26544602
    [TBL] [Abstract][Full Text] [Related]  

  • 11. Blind single-channel suppression of late reverberation based on perceptual reverberation modeling.
    Tsilfidis A; Mourjopoulos J
    J Acoust Soc Am; 2011 Mar; 129(3):1439-51. PubMed ID: 21428508
    [TBL] [Abstract][Full Text] [Related]  

  • 12. The Timbre Toolbox: extracting audio descriptors from musical signals.
    Peeters G; Giordano BL; Susini P; Misdariis N; McAdams S
    J Acoust Soc Am; 2011 Nov; 130(5):2902-16. PubMed ID: 22087919
    [TBL] [Abstract][Full Text] [Related]  

  • 13. The sound of music: differentiating musicians using a fast, musical multi-feature mismatch negativity paradigm.
    Vuust P; Brattico E; Seppänen M; Näätänen R; Tervaniemi M
    Neuropsychologia; 2012 Jun; 50(7):1432-43. PubMed ID: 22414595
    [TBL] [Abstract][Full Text] [Related]  

  • 14. Perceptual and emotional categorization of sound.
    Bergman P; Sköld A; Västfjäll D; Fransson N
    J Acoust Soc Am; 2009 Dec; 126(6):3156-67. PubMed ID: 20000929
    [TBL] [Abstract][Full Text] [Related]  

  • 15. A sawtooth waveform inspired pitch estimator for speech and music.
    Camacho A; Harris JG
    J Acoust Soc Am; 2008 Sep; 124(3):1638-52. PubMed ID: 19045655
    [TBL] [Abstract][Full Text] [Related]  

  • 16. Effects of noise, nonlinear processing, and linear filtering on perceived music quality.
    Arehart KH; Kates JM; Anderson MC
    Int J Audiol; 2011 Mar; 50(3):177-90. PubMed ID: 21319935
    [TBL] [Abstract][Full Text] [Related]  

  • 17. Perceptual structure of adductor spasmodic dysphonia and its acoustic correlates.
    Cannito MP; Doiuchi M; Murry T; Woodson GE
    J Voice; 2012 Nov; 26(6):818.e5-13. PubMed ID: 23177751
    [TBL] [Abstract][Full Text] [Related]  

  • 18. Contributions of pitch contour, tonality, rhythm, and meter to melodic similarity.
    Prince JB
    J Exp Psychol Hum Percept Perform; 2014 Dec; 40(6):2319-37. PubMed ID: 25264859
    [TBL] [Abstract][Full Text] [Related]  

  • 19. Key processing precedes emotional categorization of Western music.
    Filipic S; Bigand E
    Ann N Y Acad Sci; 2005 Dec; 1060():443-5. PubMed ID: 16597799
    [TBL] [Abstract][Full Text] [Related]  

  • 20. Engaging concert hall acoustics is made up of temporal envelope preserving reflections.
    Lokki T; Pätynen J; Tervo S; Siltanen S; Savioja L
    J Acoust Soc Am; 2011 Jun; 129(6):EL223-8. PubMed ID: 21682356
    [TBL] [Abstract][Full Text] [Related]  

    [Next]    [New Search]
    of 11.