These tools will no longer be maintained as of December 31, 2024. Archived website can be found here. PubMed4Hh GitHub repository can be found here. Contact NLM Customer Service if you have questions.


BIOMARKERS

Molecular Biopsy of Human Tumors

- a resource for Precision Medicine *

173 related articles for article (PubMed ID: 26428790)

  • 1. The influence of proscenium boxes on acoustic response in historical opera halls.
    Šumarac Pavlović D; Mijić M; Mašović D
    J Acoust Soc Am; 2015 Sep; 138(3):1533-6. PubMed ID: 26428790
    [TBL] [Abstract][Full Text] [Related]  

  • 2. Analysis of concert hall acoustics via visualizations of time-frequency and spatiotemporal responses.
    Pätynen J; Tervo S; Lokki T
    J Acoust Soc Am; 2013 Feb; 133(2):842-57. PubMed ID: 23363103
    [TBL] [Abstract][Full Text] [Related]  

  • 3. Subjective and objective evaluations of a scattered sound field in a scale model opera house.
    Ryu JK; Jeon JY
    J Acoust Soc Am; 2008 Sep; 124(3):1538-49. PubMed ID: 19045645
    [TBL] [Abstract][Full Text] [Related]  

  • 4. Architectural shape and early acoustic efficiency in concert halls (L).
    Jurkiewicz Y; Wulfrank T; Kahle E
    J Acoust Soc Am; 2012 Sep; 132(3):1253-6. PubMed ID: 22978852
    [TBL] [Abstract][Full Text] [Related]  

  • 5. A new definition of boundary point between early reflections and late reverberation in room impulse responses.
    Hidaka T; Yamada Y; Nakagawa T
    J Acoust Soc Am; 2007 Jul; 122(1):326-32. PubMed ID: 17614492
    [TBL] [Abstract][Full Text] [Related]  

  • 6. Mean-free-paths in concert and chamber music halls and the correct method for calibrating dodecahedral sound sources.
    Beranek LL; Nishihara N
    J Acoust Soc Am; 2014 Jan; 135(1):223-30. PubMed ID: 24437762
    [TBL] [Abstract][Full Text] [Related]  

  • 7. Concert halls with strong and lateral sound increase the emotional impact of orchestra music.
    Pätynen J; Lokki T
    J Acoust Soc Am; 2016 Mar; 139(3):1214-24. PubMed ID: 27036257
    [TBL] [Abstract][Full Text] [Related]  

  • 8. Disentangling preference ratings of concert hall acoustics using subjective sensory profiles.
    Lokki T; Pätynen J; Kuusinen A; Tervo S
    J Acoust Soc Am; 2012 Nov; 132(5):3148-61. PubMed ID: 23145600
    [TBL] [Abstract][Full Text] [Related]  

  • 9. Attenuation of direct sound and the contributions of early reflections within symphony orchestras.
    Dammerud JJ; Barron M
    J Acoust Soc Am; 2010 Oct; 128(4):1755-65. PubMed ID: 20968349
    [TBL] [Abstract][Full Text] [Related]  

  • 10. Engaging concert hall acoustics is made up of temporal envelope preserving reflections.
    Lokki T; Pätynen J; Tervo S; Siltanen S; Savioja L
    J Acoust Soc Am; 2011 Jun; 129(6):EL223-8. PubMed ID: 21682356
    [TBL] [Abstract][Full Text] [Related]  

  • 11. Perceptual significance of seat-dip effect related direct sound coloration in concert halls.
    Tahvanainen H; Haapaniemi A; Lokki T
    J Acoust Soc Am; 2017 Mar; 141(3):1560. PubMed ID: 28372127
    [TBL] [Abstract][Full Text] [Related]  

  • 12. Concert hall acoustics assessment with individually elicited attributes.
    Lokki T; Patynen J; Kuusinen A; Vertanen H; Tervo S
    J Acoust Soc Am; 2011 Aug; 130(2):835-49. PubMed ID: 21877799
    [TBL] [Abstract][Full Text] [Related]  

  • 13. Audience noise in concert halls during musical performances.
    Jeong CH; Marie P; Brunskog J; Møller Petersen C
    J Acoust Soc Am; 2012 Apr; 131(4):2753-61. PubMed ID: 22501054
    [TBL] [Abstract][Full Text] [Related]  

  • 14. Acoustical comparison of three theaters.
    Bradley JS
    J Acoust Soc Am; 1986 Jun; 79(6):1827-32. PubMed ID: 3722596
    [TBL] [Abstract][Full Text] [Related]  

  • 15. Perception of music dynamics in concert hall acoustics.
    Pätynen J; Lokki T
    J Acoust Soc Am; 2016 Nov; 140(5):3787. PubMed ID: 27908068
    [TBL] [Abstract][Full Text] [Related]  

  • 16. Pre-Sabine room acoustic design guidelines based on human voice directivity.
    Postma BNJ; Jouan S; Katz BFG
    J Acoust Soc Am; 2018 Apr; 143(4):2428. PubMed ID: 29716287
    [TBL] [Abstract][Full Text] [Related]  

  • 17. The sound strength parameter G and its importance in evaluating and planning the acoustics of halls for music.
    Beranek L
    J Acoust Soc Am; 2011 May; 129(5):3020-6. PubMed ID: 21568405
    [TBL] [Abstract][Full Text] [Related]  

  • 18. Long-term horizontal vocal directivity of opera singers: effects of singing projection and acoustic environment.
    Cabrera D; Davis PJ; Connolly A
    J Voice; 2011 Nov; 25(6):e291-303. PubMed ID: 20728309
    [TBL] [Abstract][Full Text] [Related]  

  • 19. Objective evaluation of chamber-music halls in Europe and Japan.
    Hidaka T; Nishihara N
    J Acoust Soc Am; 2004 Jul; 116(1):357-72. PubMed ID: 15295996
    [TBL] [Abstract][Full Text] [Related]  

  • 20. Sound energy decay in coupled spaces using a parametric analytical solution of a diffusion equation.
    Luizard P; Polack JD; Katz BF
    J Acoust Soc Am; 2014 May; 135(5):2765-76. PubMed ID: 24815259
    [TBL] [Abstract][Full Text] [Related]  

    [Next]    [New Search]
    of 9.