These tools will no longer be maintained as of December 31, 2024. Archived website can be found here. PubMed4Hh GitHub repository can be found here. Contact NLM Customer Service if you have questions.
118 related articles for article (PubMed ID: 33589372)
21. Musical theater and opera singing--why so different? A study of subglottal pressure, voice source, and formant frequency characteristics. Björkner E J Voice; 2008 Sep; 22(5):533-40. PubMed ID: 17485197 [TBL] [Abstract][Full Text] [Related]
22. Regulation of glottal closure and airflow in a three-dimensional phonation model: implications for vocal intensity control. Zhang Z J Acoust Soc Am; 2015 Feb; 137(2):898-910. PubMed ID: 25698022 [TBL] [Abstract][Full Text] [Related]
24. Changes in the voice production of solo singers across concert halls. Luizard P; Henrich Bernardoni N J Acoust Soc Am; 2020 Jul; 148(1):EL33. PubMed ID: 32752785 [TBL] [Abstract][Full Text] [Related]
25. A case report in changes in phonatory physiology following voice therapy: application of high-speed imaging. Patel RR; Pickering J; Stemple J; Donohue KD J Voice; 2012 Nov; 26(6):734-41. PubMed ID: 22717492 [TBL] [Abstract][Full Text] [Related]
26. Effect of the glottal source and the vocal tract on the partials amplitude of vibrato in male voices. Arroabarren I; Carlosena A J Acoust Soc Am; 2006 Apr; 119(4):2483-97. PubMed ID: 16642861 [TBL] [Abstract][Full Text] [Related]
27. Immediate Effects of the Vocal Function Exercises Semi-Occluded Mouth Posture on Glottal Airflow Parameters: A Preliminary Study. Croake DJ; Andreatta RD; Stemple JC J Voice; 2017 Mar; 31(2):245.e9-245.e14. PubMed ID: 27595526 [TBL] [Abstract][Full Text] [Related]
28. Comparisons of pharynx, source, formant, and pressure characteristics in operatic and musical theatre singing. Sundberg J; Gramming P; Lovetri J J Voice; 1993 Dec; 7(4):301-10. PubMed ID: 8293062 [TBL] [Abstract][Full Text] [Related]
29. Automatic Assessment of Acoustic Parameters of the Singing Voice: Application to Professional Western Operatic and Jazz Singers. Manfredi C; Barbagallo D; Baracca G; Orlandi S; Bandini A; Dejonckere PH J Voice; 2015 Jul; 29(4):517.e1-9. PubMed ID: 25795355 [TBL] [Abstract][Full Text] [Related]
30. Can listeners hear how many singers are singing? The effect of listener's experience, vibrato, onset, and formant frequency on the perception of number of simultaneous singers. Erickson ML; Gaskill CS J Voice; 2012 Nov; 26(6):817.e1-13. PubMed ID: 22921292 [TBL] [Abstract][Full Text] [Related]
31. Frequency modulation characteristics of sustained /a/ sung in vocal vibrato. Horii Y J Speech Hear Res; 1989 Dec; 32(4):829-36. PubMed ID: 2601313 [TBL] [Abstract][Full Text] [Related]
32. Differences Among Mixed, Chest, and Falsetto Registers: A Multiparametric Study. Lee Y; Oya M; Kaburagi T; Hidaka S; Nakagawa T J Voice; 2023 Mar; 37(2):298.e11-298.e29. PubMed ID: 33518476 [TBL] [Abstract][Full Text] [Related]
33. Popular and Classical Female Singers: Acoustic Comparison of Voice Use in the Song Melodia Sentimental (Sentimental Melody) by Heitor Villa-Lobos. Sanchez Escamez NE; Guimarães Silva AP; Assumpção de Andrada E Silva M J Voice; 2019 Mar; 33(2):255.e27-255.e37. PubMed ID: 29292087 [TBL] [Abstract][Full Text] [Related]
34. Long-term average spectra from a youth choir singing in three vocal registers and two dynamic levels. Morris RJ; Ternström S; LoVetri J; Berkun D J Voice; 2012 Jan; 26(1):30-6. PubMed ID: 21051200 [TBL] [Abstract][Full Text] [Related]
35. First Passaggio Transition Gestures in Classically Trained Female Singers. Morris RJ; Okerlund DA; Craven EA J Voice; 2016 May; 30(3):377.e21-9. PubMed ID: 26206069 [TBL] [Abstract][Full Text] [Related]
36. The interplay between glottis and vocal tract during the male passaggio. Neumann K; Schunda P; Hoth S; Euler HA Folia Phoniatr Logop; 2005; 57(5-6):308-27. PubMed ID: 16280632 [TBL] [Abstract][Full Text] [Related]
37. Influence of glottal closure configuration on vocal efficacy in young normal-speaking women. Schneider B; Bigenzahn W J Voice; 2003 Dec; 17(4):468-80. PubMed ID: 14740929 [TBL] [Abstract][Full Text] [Related]
38. Effects of HearFones on speaking and singing voice quality. Laukkanen AM; Mickelson NP; Laitala M; Syrjä T; Salo A; Sihvo M J Voice; 2004 Dec; 18(4):475-87. PubMed ID: 15567049 [TBL] [Abstract][Full Text] [Related]
39. Respiratory and Acoustical Differences Between Belt and Neutral Style of Singing. Sundberg J; Thalén M J Voice; 2015 Jul; 29(4):418-25. PubMed ID: 25819162 [TBL] [Abstract][Full Text] [Related]
40. Evaluation of the Supraglottic and Subglottic Activities Including Acoustic Assessment of the Opera-Chant Singers. Petekkaya E; Yücel AH; Sürmelioğlu Ö J Voice; 2019 Mar; 33(2):255.e1-255.e7. PubMed ID: 29289411 [TBL] [Abstract][Full Text] [Related] [Previous] [Next] [New Search]