These tools will no longer be maintained as of December 31, 2024. Archived website can be found here. PubMed4Hh GitHub repository can be found here. Contact NLM Customer Service if you have questions.


BIOMARKERS

Molecular Biopsy of Human Tumors

- a resource for Precision Medicine *

169 related articles for article (PubMed ID: 36532616)

  • 1. Alpha oscillations related to self-other integration and distinction during live orchestral performance: A naturalistic case study.
    Christensen J; Slavik L; Nicol JJ; Loehr JD
    Psychol Music; 2023 Jan; 51(1):295-315. PubMed ID: 36532616
    [TBL] [Abstract][Full Text] [Related]  

  • 2. Simultaneous self-other integration and segregation support real-time interpersonal coordination in a musical joint action task.
    Liebermann-Jordanidis H; Novembre G; Koch I; Keller PE
    Acta Psychol (Amst); 2021 Jul; 218():103348. PubMed ID: 34058671
    [TBL] [Abstract][Full Text] [Related]  

  • 3. Musical and Bodily Predictors of Mental Effort in String Quartet Music: An Ecological Pupillometry Study of Performers and Listeners.
    Bishop L; Jensenius AR; Laeng B
    Front Psychol; 2021; 12():653021. PubMed ID: 34262504
    [TBL] [Abstract][Full Text] [Related]  

  • 4. Neural alpha oscillations index the balance between self-other integration and segregation in real-time joint action.
    Novembre G; Sammler D; Keller PE
    Neuropsychologia; 2016 Aug; 89():414-425. PubMed ID: 27449708
    [TBL] [Abstract][Full Text] [Related]  

  • 5. fNIRS Responses in Professional Violinists While Playing Duets: Evidence for Distinct Leader and Follower Roles at the Brain Level.
    Vanzella P; Balardin JB; Furucho RA; Zimeo Morais GA; Braun Janzen T; Sammler D; Sato JR
    Front Psychol; 2019; 10():164. PubMed ID: 30804846
    [TBL] [Abstract][Full Text] [Related]  

  • 6. Is Playing in the Pit Really the Pits?: Pain, Strength, Music Performance Anxiety, and Workplace Satisfaction in Professional Musicians in Stage, Pit, and Combined Stage/Pit Orchestras.
    Kenny DT; Driscoll T; Ackermann BJ
    Med Probl Perform Art; 2016 Mar; 31(1):1-7. PubMed ID: 26966957
    [TBL] [Abstract][Full Text] [Related]  

  • 7. Interpersonal sensorimotor communication shapes intrapersonal coordination in a musical ensemble.
    Laroche J; Tomassini A; Volpe G; Camurri A; Fadiga L; D'Ausilio A
    Front Hum Neurosci; 2022; 16():899676. PubMed ID: 36248684
    [TBL] [Abstract][Full Text] [Related]  

  • 8. Effect of a rehabilitation program on performance-related musculoskeletal disorders in student and professional orchestral musicians: a randomized controlled trial.
    Roos M; Roy JS
    Clin Rehabil; 2018 Dec; 32(12):1656-1665. PubMed ID: 29954190
    [TBL] [Abstract][Full Text] [Related]  

  • 9. Collaborative Musical Creativity: How Ensembles Coordinate Spontaneity.
    Bishop L
    Front Psychol; 2018; 9():1285. PubMed ID: 30087645
    [TBL] [Abstract][Full Text] [Related]  

  • 10. Musical Role Asymmetries in Piano Duet Performance Influence Alpha-Band Neural Oscillation and Behavioral Synchronization.
    Washburn A; Román I; Huberth M; Gang N; Dauer T; Reid W; Nanou C; Wright M; Fujioka T
    Front Neurosci; 2019; 13():1088. PubMed ID: 31680824
    [TBL] [Abstract][Full Text] [Related]  

  • 11. Body sway reflects leadership in joint music performance.
    Chang A; Livingstone SR; Bosnyak DJ; Trainor LJ
    Proc Natl Acad Sci U S A; 2017 May; 114(21):E4134-E4141. PubMed ID: 28484007
    [TBL] [Abstract][Full Text] [Related]  

  • 12. When they listen and when they watch: Pianists' use of nonverbal audio and visual cues during duet performance.
    Bishop L; Goebl W
    Music Sci; 2015 Mar; 19(1):84-110. PubMed ID: 26279610
    [TBL] [Abstract][Full Text] [Related]  

  • 13. Knowing too little or too much: the effects of familiarity with a co-performer's part on interpersonal coordination in musical ensembles.
    Ragert M; Schroeder T; Keller PE
    Front Psychol; 2013; 4():368. PubMed ID: 23805116
    [TBL] [Abstract][Full Text] [Related]  

  • 14. Cognitive abilities of musicians.
    Giovagnoli AR; Raglio A
    Percept Mot Skills; 2011 Oct; 113(2):563-9. PubMed ID: 22185071
    [TBL] [Abstract][Full Text] [Related]  

  • 15. The Experiences of Mid-career and Seasoned Orchestral Musicians in the UK During the First COVID-19 Lockdown.
    Cohen S; Ginsborg J
    Front Psychol; 2021; 12():645967. PubMed ID: 33897549
    [TBL] [Abstract][Full Text] [Related]  

  • 16. Description and evaluation of a hearing conservation program in use in a professional symphony orchestra.
    O'Brien I; Driscoll T; Ackermann B
    Ann Occup Hyg; 2015 Apr; 59(3):265-76. PubMed ID: 25381186
    [TBL] [Abstract][Full Text] [Related]  

  • 17. Conservatory Musicians' Temporal Organization and Self-Regulation Processes in Preparing for a Music Exam.
    Antonini Philippe R; Kosirnik C; Vuichoud N; Clark T; Williamon A; McPherson GE
    Front Psychol; 2020; 11():89. PubMed ID: 32116910
    [TBL] [Abstract][Full Text] [Related]  

  • 18. Temporal Coordination in Piano Duet Networked Music Performance (NMP): Interactions Between Acoustic Transmission Latency and Musical Role Asymmetries.
    Washburn A; Wright MJ; Chafe C; Fujioka T
    Front Psychol; 2021; 12():707090. PubMed ID: 34630213
    [TBL] [Abstract][Full Text] [Related]  

  • 19. Temporal coordination between performing musicians.
    Loehr JD; Palmer C
    Q J Exp Psychol (Hove); 2011 Nov; 64(11):2153-67. PubMed ID: 21929475
    [TBL] [Abstract][Full Text] [Related]  

  • 20. Eye gaze as a means of giving and seeking information during musical interaction.
    Bishop L; Cancino-Chacón C; Goebl W
    Conscious Cogn; 2019 Feb; 68():73-96. PubMed ID: 30660927
    [TBL] [Abstract][Full Text] [Related]  

    [Next]    [New Search]
    of 9.