124 related articles for article (PubMed ID: 38840742)
1. Ancillary and instrumental body movements during inhalation in clarinetists.
Nusseck M; Immerz A; Hohagen J; Spahn C
Front Psychol; 2024; 15():1394035. PubMed ID: 38840742
[TBL] [Abstract][Full Text] [Related]
2. Associations Between Ancillary Body Movements and Acoustic Parameters of Pitch, Dynamics and Timbre in Clarinet Playing.
Nusseck M; Czedik-Eysenberg I; Spahn C; Reuter C
Front Psychol; 2022; 13():885970. PubMed ID: 35910955
[TBL] [Abstract][Full Text] [Related]
3. Temporal guidance of musicians' performance movement is an acquired skill.
Rodger MW; O'Modhrain S; Craig CM
Exp Brain Res; 2013 Apr; 226(2):221-30. PubMed ID: 23392474
[TBL] [Abstract][Full Text] [Related]
4. Relating movement recurrence and expressive timing patterns in music performances.
Teixeira EC; Yehia HC; Loureiro MA
J Acoust Soc Am; 2015 Sep; 138(3):EL212-6. PubMed ID: 26428815
[TBL] [Abstract][Full Text] [Related]
5. [Standard technical specifications for methacholine chloride (Methacholine) bronchial challenge test (2023)].
; ;
Zhonghua Jie He He Hu Xi Za Zhi; 2024 Feb; 47(2):101-119. PubMed ID: 38309959
[TBL] [Abstract][Full Text] [Related]
6. Psycho-physiological responses to expressive piano performance.
Nakahara H; Furuya S; Francis PR; Kinoshita H
Int J Psychophysiol; 2010 Mar; 75(3):268-76. PubMed ID: 20025907
[TBL] [Abstract][Full Text] [Related]
7. Pianism: Performance Communication and the Playing Technique.
James B
Front Psychol; 2018; 9():2125. PubMed ID: 30455659
[TBL] [Abstract][Full Text] [Related]
8. Individuality of movements in music--finger and body movements during playing of the flute.
Albrecht S; Janssen D; Quarz E; Newell KM; Schöllhorn WI
Hum Mov Sci; 2014 Jun; 35():131-44. PubMed ID: 24767961
[TBL] [Abstract][Full Text] [Related]
9. Kinematic Analysis of Pianists' Expressive Performances of Romantic Excerpts: Applications for Enhanced Pedagogical Approaches.
Massie-Laberge C; Cossette I; Wanderley MM
Front Psychol; 2018; 9():2725. PubMed ID: 30687180
[TBL] [Abstract][Full Text] [Related]
10. An Expressive Bodily Movement Repertoire for Marimba Performance, Revealed through Observers' Laban Effort-Shape Analyses, and Allied Musical Features: Two Case Studies.
Broughton MC; Davidson JW
Front Psychol; 2016; 7():1211. PubMed ID: 27630585
[TBL] [Abstract][Full Text] [Related]
11. Power and velocity performance of swing movement in the adolescent male volleyball players - age and positional difference.
Wang J; Qin Z; Wei Z
BMC Sports Sci Med Rehabil; 2024 May; 16(1):111. PubMed ID: 38755687
[TBL] [Abstract][Full Text] [Related]
12. Playing the Clarinet: Influence of Body Posture on Muscle Activity and Sound Quality.
Baadjou VA; van Eijsden-Besseling M; Verbunt J; de Bie RA; Geers R; Smeets R; Seelen H
Med Probl Perform Art; 2017 Sep; 32(3):125-131. PubMed ID: 28988262
[TBL] [Abstract][Full Text] [Related]
13. Knee flexion of saxophone players anticipates tonal context of music.
Moura N; Vidal M; Aguilera AM; Vilas-Boas JP; Serra S; Leman M
NPJ Sci Learn; 2023 Jun; 8(1):22. PubMed ID: 37369691
[TBL] [Abstract][Full Text] [Related]
14. Determining factors for compensatory movements of the left arm and shoulder in violin playing.
Margulies O; Nübling M; Verheul W; Hildebrandt W; Hildebrandt H
Front Psychol; 2022; 13():1017039. PubMed ID: 36755976
[TBL] [Abstract][Full Text] [Related]
15. Characterizing Movement Fluency in Musical Performance: Toward a Generic Measure for Technology Enhanced Learning.
Gonzalez-Sanchez V; Dahl S; Hatfield JL; Godøy RI
Front Psychol; 2019; 10():84. PubMed ID: 30778309
[TBL] [Abstract][Full Text] [Related]
16. Cellists' sound quality is shaped by their primary postural behavior.
Rozé J; Aramaki M; Kronland-Martinet R; Ystad S
Sci Rep; 2020 Aug; 10(1):13882. PubMed ID: 32807898
[TBL] [Abstract][Full Text] [Related]
17. Tongue involvement in embouchure dystonia: new piloting results using real-time MRI of trumpet players.
Hellwig SJ; Iltis PW; Joseph AA; Voit D; Frahm J; Schoonderwaldt E; Altenmüller E
J Clin Mov Disord; 2019; 6():5. PubMed ID: 31754440
[TBL] [Abstract][Full Text] [Related]
18. Non-Instrumental Movement Inhibition (NIMI) Differentially Suppresses Head and Thigh Movements during Screenic Engagement: Dependence on Interaction.
Witchel HJ; Santos CP; Ackah JK; Westling CE; Chockalingam N
Front Psychol; 2016; 7():157. PubMed ID: 26941666
[TBL] [Abstract][Full Text] [Related]
19. Thumb-Rest Position and its Role in Neuromuscular Control of the Clarinet Task.
Young KE; Winges SA
Med Probl Perform Art; 2017 Jun; 32(2):71-77. PubMed ID: 28599013
[TBL] [Abstract][Full Text] [Related]
20. Thermographic Study of the Orofacial Structures Involved in Clarinetists Musical Performance.
Barros A; Mendes J; Moreira A; Vardasca R; Pais Clemente M; Pinhão Ferreira A
Dent J (Basel); 2018 Nov; 6(4):. PubMed ID: 30388769
[TBL] [Abstract][Full Text] [Related]
[Next] [New Search]