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4. Dichotically-stimulated ear differences in musicians and nonmusicians. Johnson PR Cortex; 1977 Dec; 13(4):385-9. PubMed ID: 604007 [TBL] [Abstract][Full Text] [Related]
5. Shifting ear differences in melody comparison through transposition. Peretz I Cortex; 1987 Jun; 23(2):317-23. PubMed ID: 3608525 [TBL] [Abstract][Full Text] [Related]
6. The cerebral haemodynamics of music perception. A transcranial Doppler sonography study. Evers S; Dannert J; Rödding D; Rötter G; Ringelstein EB Brain; 1999 Jan; 122 ( Pt 1)():75-85. PubMed ID: 10050896 [TBL] [Abstract][Full Text] [Related]
7. [Perception of music stimuli by the Dichotic Listening Test--studies on college students making a specialty of music]. Tasaki H No To Shinkei; 1982 Nov; 34(11):1051-7. PubMed ID: 7159537 [TBL] [Abstract][Full Text] [Related]
8. Duration discrimination by musicians and nonmusicians. Güçlü B; Sevinc E; Canbeyli R Psychol Rep; 2011 Jun; 108(3):675-87. PubMed ID: 21879613 [TBL] [Abstract][Full Text] [Related]
9. Ability to transcribe music and ear superiority for tone sequences. Johnson RC; Bowers JK; Gamble M; Lyons FM; Presbrey TW; Vetter RR Cortex; 1977 Sep; 13(3):295-9. PubMed ID: 923267 [TBL] [Abstract][Full Text] [Related]
10. Laterality for music perception in musicians, mathematicians, and dancers: jumping to conclusions. Gordon HW Percept Mot Skills; 1993 Jun; 76(3 Pt 1):941-2. PubMed ID: 8321610 [TBL] [Abstract][Full Text] [Related]
11. Processing of timbre and rhythm in musicians and non-musicians. Prior M; Troup GA Cortex; 1988 Sep; 24(3):451-6. PubMed ID: 3191728 [TBL] [Abstract][Full Text] [Related]
12. More about the musical expertise of musically untrained listeners. Bigand E Ann N Y Acad Sci; 2003 Nov; 999():304-12. PubMed ID: 14681154 [TBL] [Abstract][Full Text] [Related]
13. Analytic processing in the classification of melodies as same or different. Peretz I; Morais J Neuropsychologia; 1987; 25(4):645-52. PubMed ID: 3658147 [TBL] [Abstract][Full Text] [Related]
15. Degree of ear asymmetries for perception of dichotic chords and for illusory chord localization in musicians of different levels of competence. Gordon HW J Exp Psychol Hum Percept Perform; 1980 Aug; 6(3):516-27. PubMed ID: 6447765 [TBL] [Abstract][Full Text] [Related]
16. Cerebral lateralization of familiar and unfamiliar music perception in nonmusicians: a dual task approach. LaBarba RC; Kingsberg SA Cortex; 1990 Dec; 26(4):567-74. PubMed ID: 2081394 [TBL] [Abstract][Full Text] [Related]
17. EEG alpha desynchronization in musicians and nonmusicians in response to changes in melody, tempo, and key in classical music. Overman AA; Hoge J; Dale JA; Cross JD; Chien A Percept Mot Skills; 2003 Oct; 97(2):519-32. PubMed ID: 14620240 [TBL] [Abstract][Full Text] [Related]
18. Hemisphere asymmetries in faculty and student musicians and nonmusicians during melody recognition tasks. Wagner MT; Hannon R Brain Lang; 1981 Jul; 13(2):379-88. PubMed ID: 7260579 [No Abstract] [Full Text] [Related]
19. Recognition of dichotic melodies by musicians and nonmusicians. Zatorre RJ Neuropsychologia; 1979; 17(6):607-17. PubMed ID: 522974 [No Abstract] [Full Text] [Related]
20. Laterality effects for music perception among differentially talented adolescents. Piro JM Percept Mot Skills; 1993 Apr; 76(2):499-514. PubMed ID: 8483662 [TBL] [Abstract][Full Text] [Related] [Next] [New Search]