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  • Title: Voluntary control of pelvic frontal rotations in belly dance experts.
    Author: Tournillon A, Siegler IA.
    Journal: Hum Mov Sci; 2021 Jun; 77():102791. PubMed ID: 33866137.
    Abstract:
    The present study investigated how belly dance experts perform the "hip shimmy", a complex rhythmic dance movement consisting in a voluntary oscillation of the pelvis exclusively in the frontal plane with maximised amplitude, with no movement of the upper trunk. The aims of this study were to 1) assess whether the amplitude and stability of the pelvic movement can be maximised in certain postural and frequency conditions; and 2) investigate in a 1 to 3 Hz range whether it is indeed possible to oscillate the pelvis only in the frontal plane and to dissociate this one-axis pelvic rotation from potential spontaneous upper-trunk oscillations. Nineteen belly dance experts performed this task in three frequencies and three knee bending postures. Eight joint angles were calculated using the kinematic data of 20 markers over the entire body collected with a motion capture system. Mean amplitude, frequency, and spatial and temporal variability of frontal pelvic oscillations were analysed to characterise motor performance and movement stability. Five Continuous Relative Phases (CRP) were computed to identify the modes and stability of coordination patterns. The results showed that a low posture enhances amplitude performance and that the pelvic oscillation amplitude tended to decrease at 3 Hz, although between-condition differences remained small. Temporal stability was highest at 2 Hz and significant inter-individual differences emerged at 3 Hz. CRP analysis revealed an unpreventable coupling between pelvis and upper-trunk oscillations in the frontal and transversal planes. A consistent antiphase coordination between transversal pelvis and upper-trunk may have been caused by anatomical and counter-balancing constraints. In the frontal plane, multiple stable pelvis-upper trunk patterns including inphase, out-of-phase and antiphase evolved to antiphase predominance and inphase disappearance upon reaching 3 Hz. In sum, increasing frequency highlighted the concomitance of two control phenomena: the inter-individual differentiation in performance and standardisation of the possible pelvis-upper-trunk patterns.
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