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Pubmed for Handhelds

PUBMED FOR HANDHELDS

Journal Abstract Search

157 related items for PubMed ID: 22056210

  • 1. The experience of agency in sequence production with altered auditory feedback.
    Couchman JJ, Beasley R, Pfordresher PQ.
    Conscious Cogn; 2012 Mar; 21(1):186-203. PubMed ID: 22056210
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  • 2. Effects of altered auditory feedback across effector systems: production of melodies by keyboard and singing.
    Pfordresher PQ, Mantell JT.
    Acta Psychol (Amst); 2012 Jan; 139(1):166-77. PubMed ID: 22100135
    [Abstract] [Full Text] [Related]

  • 3. The dynamics of disruption from altered auditory feedback: Further evidence for a dissociation of sequencing and timing.
    Pfordresher PQ, Kulpa JD.
    J Exp Psychol Hum Percept Perform; 2011 Jun; 37(3):949-67. PubMed ID: 21480745
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  • 4. Auditory feedback in music performance: the role of melodic structure and musical skill.
    Pfordresher PQ.
    J Exp Psychol Hum Percept Perform; 2005 Dec; 31(6):1331-45. PubMed ID: 16366793
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  • 8. Processing expectancy violations during music performance and perception: an ERP study.
    Maidhof C, Vavatzanidis N, Prinz W, Rieger M, Koelsch S.
    J Cogn Neurosci; 2010 Oct; 22(10):2401-13. PubMed ID: 19702473
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  • 9. Temporal coordination between actions and sound during sequence production.
    Pfordresher PQ, Benitez B.
    Hum Mov Sci; 2007 Oct; 26(5):742-56. PubMed ID: 17764772
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  • 10. Auditory feedback in music performance: Evidence for a dissociation of sequencing and timing.
    Pfordresher PQ.
    J Exp Psychol Hum Percept Perform; 2003 Oct; 29(5):949-64. PubMed ID: 14585016
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  • 11. The role of auditory feedback in speech and song.
    Pruitt TA, Pfordresher PQ.
    J Exp Psychol Hum Percept Perform; 2015 Feb; 41(1):152-66. PubMed ID: 25384239
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  • 12. Exploring perception-action relations in music production: The asymmetric effect of tonal class.
    Jebb AT, Pfordresher PQ.
    J Exp Psychol Hum Percept Perform; 2016 May; 42(5):658-70. PubMed ID: 26594878
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  • 13. Effects of hearing the past, present, or future during music performance.
    Pfordresher PQ, Palmer C.
    Percept Psychophys; 2006 Apr; 68(3):362-76. PubMed ID: 16900830
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  • 14. Auditory N1 reveals planning and monitoring processes during music performance.
    Mathias B, Gehring WJ, Palmer C.
    Psychophysiology; 2017 Feb; 54(2):235-247. PubMed ID: 27801943
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  • 15. Making and monitoring errors based on altered auditory feedback.
    Pfordresher PQ, Beasley RT.
    Front Psychol; 2014 Feb; 5():914. PubMed ID: 25191294
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  • 17. Novel approach for understanding the neural mechanisms of auditory-motor control: pitch regulation by finger force.
    Tachibana RO, Yanagida M, Riquimaroux H.
    Neurosci Lett; 2010 Oct 04; 482(3):198-202. PubMed ID: 20654698
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  • 18. Predictability affects the perception of audiovisual synchrony in complex sequences.
    Cook LA, Van Valkenburg DL, Badcock DR.
    Atten Percept Psychophys; 2011 Oct 04; 73(7):2286-97. PubMed ID: 21800221
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  • 19. Feedback-based error monitoring processes during musical performance: an ERP study.
    Katahira K, Abla D, Masuda S, Okanoya K.
    Neurosci Res; 2008 May 04; 61(1):120-8. PubMed ID: 18359117
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  • 20. Auditory and motor contributions to the timing of melodies under cognitive load.
    Maes PJ, Giacofci M, Leman M.
    J Exp Psychol Hum Percept Perform; 2015 Oct 04; 41(5):1336-52. PubMed ID: 26098119
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