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Journal Abstract Search
312 related items for PubMed ID: 22894202
1. Loudness perception of low tones undergoing partial masking by higher tones in orchestral music in concert halls. Nishihara N, Hidaka T. J Acoust Soc Am; 2012 Aug; 132(2):799-803. PubMed ID: 22894202 [Abstract] [Full Text] [Related]
2. Lateral reflections are favorable in concert halls due to binaural loudness. Lokki T, Pätynen J. J Acoust Soc Am; 2011 Nov; 130(5):EL345-51. PubMed ID: 22088039 [Abstract] [Full Text] [Related]
3. High-level psychophysical tuning curves: simultaneous masking by pure tones and 100-Hz-wide noise bands. Nelson DA, Fortune TW. J Speech Hear Res; 1991 Apr; 34(2):360-73. PubMed ID: 2046360 [Abstract] [Full Text] [Related]
4. The sound strength parameter G and its importance in evaluating and planning the acoustics of halls for music. Beranek L. J Acoust Soc Am; 2011 May; 129(5):3020-6. PubMed ID: 21568405 [Abstract] [Full Text] [Related]
5. Disentangling preference ratings of concert hall acoustics using subjective sensory profiles. Lokki T, Pätynen J, Kuusinen A, Tervo S. J Acoust Soc Am; 2012 Nov; 132(5):3148-61. PubMed ID: 23145600 [Abstract] [Full Text] [Related]
11. Suitable reverberation times for halls for rock and pop music. Adelman-Larsen NW, Thompson ER, Gade AC. J Acoust Soc Am; 2010 Jan; 127(1):247-55. PubMed ID: 20058970 [Abstract] [Full Text] [Related]
12. Relationships between preference ratings, sensory profiles, and acoustical measurements in concert halls. Kuusinen A, Pätynen J, Tervo S, Lokki T. J Acoust Soc Am; 2014 Jan; 135(1):239-50. PubMed ID: 24437764 [Abstract] [Full Text] [Related]
13. Attenuation of direct sound and the contributions of early reflections within symphony orchestras. Dammerud JJ, Barron M. J Acoust Soc Am; 2010 Oct; 128(4):1755-65. PubMed ID: 20968349 [Abstract] [Full Text] [Related]